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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    210 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    489 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Yes, He Broke the Pot, Plate 25"7 records

Institutions answered newest-first by record, interleaved

Frog Pendant by an unrecorded maker, The Metropolitan Museum of Art

Frog Pendant

Unrecorded maker

550–850 CE · Gold, ceramic

Cleared · Public Domain

live
The MetSimilar
Yes, He Broke the Pot, Plate 25 by Francisco de Goya, The Cleveland Museum of Art

Yes, He Broke the Pot, Plate 25

Francisco de Goya (d. 1828)

1799, printed c. 1855 · Print, etching and aquatint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Watch with scenes from the story of Rebekah at the well by Johannes van Ceulen, The Metropolitan Museum of Art

Watch with scenes from the story of Rebekah at the well

Johannes van Ceulen (d. 1715)

ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Chief Etchers and Best Italian (Wilton House Album) by an unrecorded maker, The Metropolitan Museum of Art

Chief Etchers and Best Italian (Wilton House Album)

Unrecorded maker

early 18th century binding

Cleared · Public Domain

live
The MetSimilar
Plate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1797–98 · Etching, aquatint, before drypoint

Cleared · Public Domain

live
The MetSimilar
Andiron with figure of Mercury (one of a pair) by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa), The Metropolitan Museum of Art

Andiron with figure of Mercury (one of a pair)

Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)

19th century? · Bronze

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.