Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    245 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 155 matching records exist across the two collections.

Results for "Yokohama Foreigners in the Sitting Room"12 records

Institutions answered newest-first by record, interleaved

The Artist's Sitting Room in Ritterstrasse by Adolph Menzel, The Metropolitan Museum of Art

The Artist's Sitting Room in Ritterstrasse

Adolph Menzel (d. 1905)

1851 · Oil on cardboard

Cleared · Public Domain

live
The MetSimilar
“America”: A Native American Woman on Horseback in the Snow by Utagawa Hiroshige II, The Metropolitan Museum of Art

“America”: A Native American Woman on Horseback in the Snow

Utagawa Hiroshige II (d. 1869)

1860 · Woodblock print (nishiki-e); ink and color on paper; vertical ōban

Cleared · Public Domain

live
The MetSimilar
A Foreign Residence in Yokohama by Utagawa Yoshikazu, The Metropolitan Museum of Art

A Foreign Residence in Yokohama

Utagawa Yoshikazu (d. 1870)

1861 · Triptych of woodblock prints (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
A View of the Amusements of the Foreigners in Yokohama, Bushu by Utagawa Yoshitora, The Metropolitan Museum of Art

A View of the Amusements of the Foreigners in Yokohama, Bushu

Utagawa Yoshitora (d. 1880)

1st month, 1861 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
A View of the Amusements of the Foreigners in Yokohama, Bushu by Utagawa Yoshitora, The Metropolitan Museum of Art

A View of the Amusements of the Foreigners in Yokohama, Bushu

Utagawa Yoshitora (d. 1880)

1st month, 1861 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Foreigners in the Drawing Room of Foreign Merchant's House in Yokohama by Utagawa (Gountei) Sadahide, The Metropolitan Museum of Art

Foreigners in the Drawing Room of Foreign Merchant's House in Yokohama

Utagawa (Gountei) Sadahide (d. 1873)

9th month, 1861 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
People of the Five Nations Drinking and Eating (Gokakoku jinbutsu dontaku no zu) by Utagawa Yoshitora, The Metropolitan Museum of Art

People of the Five Nations Drinking and Eating (Gokakoku jinbutsu dontaku no zu)

Utagawa Yoshitora (d. 1880)

1861, 10th month · Triptych of woodblock prints (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Sales Room at the Foreign Trade Building in Yokohama by Utagawa (Gountei) Sadahide, The Metropolitan Museum of Art

Sales Room at the Foreign Trade Building in Yokohama

Utagawa (Gountei) Sadahide (d. 1873)

1861 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Yokohama Foreigners in the Sitting Room of a Merchant Ship by Utagawa (Gountei) Sadahide, The Metropolitan Museum of Art

Yokohama Foreigners in the Sitting Room of a Merchant Ship

Utagawa (Gountei) Sadahide (d. 1873)

1861, 9th month · Middle panel of a triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Foreigners Enjoying Themselves in the Gankirō by Utagawa Yoshikazu, The Metropolitan Museum of Art

Foreigners Enjoying Themselves in the Gankirō

Utagawa Yoshikazu (d. 1870)

ca. 1861 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Enthusiast

Unknown

1860s–80s · Albumen silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sitting Room

L. & J. G. Stickley of Fayetteville, New York

1910–12 · Crayon, watercolor and pen and ink

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.