
Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū)
Fujiwara no Tameyori (d. 998)
13th century · Page from a booklet mounted as a hanging scroll; ink on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
210 ms. The Metropolitan Museum of Art, Collection API (Open Access)
315 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū)
Fujiwara no Tameyori (d. 998)
13th century · Page from a booklet mounted as a hanging scroll; ink on paper
Cleared · Public Domain
live
Christ at the Column
Delli brothers (d. 1469)
ca. 1440–70 · Pen with brown and black carbon ink, brush with gray wash, watercolor, and gouache on parchment; inscriptions in brown ink of a different type
Cleared · Public Domain
live
Garden of the Inept Administrator
Wen Zhengming (d. 1559)
1551 · Album of eight leaves; ink on paper
Cleared · Public Domain
live
You seem to enjoy doing my work. In exchange I could offer doing your job: I will go for a ride in your coach!, from "Parisians in the countryside"
Honoré Daumier (d. 1879)
March 28, 1865 · Lithograph on newsprint; second state of two (Delteil)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci (d. 1519)
ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Zinnias and Pinecones
Charles Demuth (d. 1935)
1918 · Watercolor and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seeing is Believing
Arlene Shechet (d. 9999)
2015 · Glazed ceramic, paint and steel
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adoration of the Lobster
Cecily Brown (d. 9999)
2023–24 · Oil on UV-curable pigment on linen
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.