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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    224 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    553 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Young Anglers, part VII from "Liber Stud"8 records

Institutions answered newest-first by record, interleaved

Bell by an unrecorded maker, The Metropolitan Museum of Art

Bell

Unrecorded maker

900–1520 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Young Anglers (Liber Studiorum, part VII, plate 32) by Joseph Mallord William Turner, The Metropolitan Museum of Art

Young Anglers (Liber Studiorum, part VII, plate 32)

Joseph Mallord William Turner (d. 1851)

June 1, 1811 · Etching and mezzotint; second state of three

Cleared · Public Domain

live
The MetSimilar
Young Anglers, part VII from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Young Anglers, part VII from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

June 1, 1811 · Etching and mezzotint; first state of three

Cleared · Public Domain

live
The MetSimilar
Sacrificial Knife by an unrecorded maker, The Metropolitan Museum of Art

Sacrificial Knife

Unrecorded maker

19th century · Steel, brass, wood

Cleared · Public Domain

live
The MetSimilar
Sacrificial Sword (Kartrī or Churī) by an unrecorded maker, The Metropolitan Museum of Art

Sacrificial Sword (Kartrī or Churī)

Unrecorded maker

19th century · Steel, brass, wood

Cleared · Public Domain

live
The MetSimilar
Sacrificial Sword (Rāmdāo) by an unrecorded maker, The Metropolitan Museum of Art

Sacrificial Sword (Rāmdāo)

Unrecorded maker

19th century · Steel, wood, brass

Cleared · Public Domain

live
The MetSimilar
Set of Sacrificial Weapons by an unrecorded maker, The Metropolitan Museum of Art

Set of Sacrificial Weapons

Unrecorded maker

19th century · Steel, wood, brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.