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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    366 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 20 matching records exist across the two collections.

Results for "Young Woman Seated"10 records

Institutions answered newest-first by record, interleaved

Young Woman Seated on a Bed by Louis-Marin Bonnet, The Cleveland Museum of Art

Young Woman Seated on a Bed

Louis-Marin Bonnet (d. 1793)

1764–67 · Print, chalk-manner etching and engraving printed in black and white on blue paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Young Girl Seated on Straw, Leaning on a Basket by Edmond Bacot, The Cleveland Museum of Art

Young Girl Seated on Straw, Leaning on a Basket

Edmond Bacot (d. 1875)

1862 · Photograph, albumen print from wet collodion negative

Cleared · CC0

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Cleveland Museum of ArtSimilar
Copy of a Roman Statue of a Seated Woman by Domenico Ghirlandaio, The Cleveland Museum of Art

Copy of a Roman Statue of a Seated Woman

Domenico Ghirlandaio (d. 1494)

c. 1450–94 · Drawing, pen and brown ink (two different colors) with graphite; framing lines in pen and brown ink

Cleared · CC0

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Cleveland Museum of ArtSimilar
Young Woman Seated on a Bed by Louis-Marin Bonnet, The Cleveland Museum of Art

Young Woman Seated on a Bed

Louis-Marin Bonnet (d. 1793)

before 1764 · Print, chalk manner etching and engraving printed in red

Cleared · CC0

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Cleveland Museum of ArtSimilar
Young Woman Seated by Pierre-Paul Prud'hon, The Cleveland Museum of Art

Young Woman Seated

Pierre-Paul Prud'hon (d. 1823)

last fourth 18th century or first fourth 19th century · Drawing, oil; framing lines in graphite

Cleared · CC0

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Cleveland Museum of ArtSimilar
The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night by Sravana, The Cleveland Museum of Art

The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night

Sravana

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492) by Mushfiq, The Cleveland Museum of Art

Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)

Mushfiq

1603–7 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Bust of a Woman, Seen from Behind by Adolph von Menzel, The Cleveland Museum of Art

Bust of a Woman, Seen from Behind

Adolph von Menzel (d. 1905)

1893 · Drawing, graphite (carpenter's pencil), with stumping

Cleared · CC0

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Cleveland Museum of ArtSimilar
Two Young Women Seated by Lucien Simon, The Cleveland Museum of Art

Two Young Women Seated

Lucien Simon (d. 1945)

last third 19th century or first half 20th century · Drawing, black and brown crayon, with white chalk (wetted and stumped in places)

Cleared · CC0

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Cleveland Museum of ArtSimilar
Seated Female Nude (Emma Story Bellows) by George Bellows, The Cleveland Museum of Art

Seated Female Nude (Emma Story Bellows)

George Bellows (d. 1925)

after 1910 · Drawing, black lithographic crayon with traces of stylus (above head)

Cleared · CC0

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Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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