Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    313 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    371 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 273 matching records exist across the two collections.

Results for "Youth in a Chariot with Attendant Young"12 records

Institutions answered newest-first by record, interleaved

Youth with shaven head by an unrecorded maker, The Metropolitan Museum of Art

Youth with shaven head

Unrecorded maker

ca. 1347–1330 BCE · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Terracotta amphora (jar) by St. Audries Painter, The Metropolitan Museum of Art

Terracotta amphora (jar)

St. Audries Painter

ca. 550 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Bronze chariot inlaid with ivory by an unrecorded maker, The Metropolitan Museum of Art

Bronze chariot inlaid with ivory

Unrecorded maker

2nd quarter of the 6th century BCE · Bronze, ivory

Cleared · Public Domain

live
The MetSimilar
Bronze and iron fittings from a cart or chariot by an unrecorded maker, The Metropolitan Museum of Art

Bronze and iron fittings from a cart or chariot

Unrecorded maker

ca. 500–480 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Youth in a Chariot with Attendant Young Woman by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

Youth in a Chariot with Attendant Young Woman

Guercino (Giovanni Francesco Barbieri) (d. 1666)

ca. 1621–23 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Merrymaking in a Brothel by Unidentified, The Metropolitan Museum of Art

Merrymaking in a Brothel

Unidentified

early 17th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Juno on Her Chariot Visiting a Young Woman and a Rivergod by Richard van Orley, The Metropolitan Museum of Art

Juno on Her Chariot Visiting a Young Woman and a Rivergod

Richard van Orley (d. 1732)

late 17th–mid 18th century · Pen and brown ink, brush and gray ink, corrected with white gouache; framing line in pen and brown ink, possibly by the artist

Cleared · Public Domain

live
The MetSimilar
Van Rensselaer Heir and Enslaved Youth by John Heaton, The Metropolitan Museum of Art

Van Rensselaer Heir and Enslaved Youth

John Heaton (d. 1745)

ca. 1730 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Courtesan and Attendant Playing with a Dog by Nishikawa Sukenobu, The Metropolitan Museum of Art

Courtesan and Attendant Playing with a Dog

Nishikawa Sukenobu (d. 1750)

ca. 1716–1736 · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock by James Cox, The Metropolitan Museum of Art

Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock

James Cox (d. 1800)

1766 · Case: gold with diamonds and paste jewels set in silver, pearls; Dial: white enamel; Movement: partly gilded brass and steel, wheel balance and cock of silver set with paste jewels

Cleared · Public Domain

live
The MetSimilar
Wall or Ceiling Decoration with a Young Man (Phaeton?) in a horse-drawn Chariot by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Wall or Ceiling Decoration with a Young Man (Phaeton?) in a horse-drawn Chariot

Anonymous, Italian, 18th century (d. 1800)

18th century · Pen

Cleared · Public Domain

live
The MetSimilar
Woman and Attendant by Utagawa Toyokuni I, The Metropolitan Museum of Art

Woman and Attendant

Utagawa Toyokuni I (d. 1825)

ca. 1795 · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.