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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    5996 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    355 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 318 matching records exist across the two collections.

Results for "Yvonne and James II"12 records

Institutions answered newest-first by record, interleaved

Violoncello Bow by James Dodd II, The Metropolitan Museum of Art

Violoncello Bow

James Dodd II (d. 1865)

early 19th century · Wood, other materials

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Antiquarian and Topographical Cabinet, containing a series of elegant views of the most intersting objects of curiosity in Great Britain, Vol. II

James Storer (d. 1853)

1808 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ancient Reliques or Delineations of Monastic Castellated & Domestic Architecture, Volume II

James Storer (d. 1853)

1813 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

S - Curve (Pipe Layers II)

James Edmund Allen (d. 1964)

1937 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Night Smoke II

James Rosenquist (d. 2017)

1969–72 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for Little River Farm II (Belfast Maine)

Yvonne Jacquette (d. 2023)

1979 · Pastel on translucent paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

2-29 II

James Welling (d. 9999)

1980 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

2-29 II

James Welling (d. 9999)

1980 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Drawing for Industrial Cottage II

James Rosenquist (d. 2017)

1981 · Ink, oil stick, metallic paint, graphite on synthetic paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Bartolomeo II

James Brown (d. 2020)

1983 · Oil on enamel on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Chrysler Building Flanked by High Rise Buildings II

Yvonne Jacquette (d. 2023)

2009 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Yvonne and James II

Jordan Casteel (d. 9999)

2021 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.