Seated Figure (Prophet or Apostle)
Master of Santa Maria la Bianca
ca. 1200 · Marble (Carrara marble) with lead and serpentine inlay
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
836 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
529 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 288 matching records exist across the two collections.
Results for "la Orana Maria"12 records
Institutions answered newest-first by record, interleaved
Arti di Bologna (Di Bologna l'Arti per via D'An.ibal' Ca.rac)
Giuseppe Maria Mitelli (d. 1718)
1660 (re-published 1740) · Etching; third state of three (Bertarelli)
Cleared · Public Domain
liveThe MetSimilar
The favorite nanny (La balia favorita)
Giuseppe Maria Crespi (d. 1747)
1685–1747 · Etching
Cleared · Public Domain
liveThe MetSimilar
Ia Orana Maria (Hail Mary)
Paul Gauguin (d. 1903)
1891 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
la Orana Maria
Paul Gauguin (d. 1903)
1894–95 · Zincograph
Cleared · Public Domain
liveThe MetSimilar
Hail Mary (Ia Orana Maria)
Paul Gauguin (d. 1903)
ca. 1893–95 · Fabricated charcoal, red chalk, and white pastel on formerly blue wove paper, mounted on millboard with strips of rose-colored wove paper along two edges
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frontispiece depicting a View of Bologna, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 1
Giuseppe Maria Mitelli (d. 1718)
printed 1740 · Etching; third state of three (Bertarelli)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Solenni Esequie celebrate nel Duomo di Firenze per la Morte dell' Augustissimo Imperatore Francesco Primo Duca di Lorena e di Bar Gran-Duca di Toscana &c.
Antonio Maria Negri
1765 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Osservazioni di Antonio Visentini Architetto Veneto che servono di continuazione al Trattato di Teofilo Gallacini sopra gli errori degli architetti
Antonio Maria Visentini (d. 1782)
1767, 1771 · Printed books with etched illustrations
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reflexiones sobre la verdadera Arte de Escribir: Tomo Primero
Don Domingo Maria de Servidori
1789 · plates: engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Carlos Orozco Romero, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
María Marín de Orozco (d. 1990)
ca. 1924 · Woodcut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Llanto", abstract head (number 2)
José Maria de Labra (d. 1994)
ca. 1959 · Sheet folded in half with letterpress title and publication details on front, poem by Souvirón on inside cover facing the print (drypoint and etching)
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.