
Bronze spearhead
Unrecorded maker
ca. 2000–1900 BCE · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
367 ms. The Metropolitan Museum of Art, Collection API (Open Access)
284 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 94 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bronze spearhead
Unrecorded maker
ca. 2000–1900 BCE · Bronze
Cleared · Public Domain
live
Mitten Gauntlet for the Left Hand
Unrecorded maker
ca. 1500 · Steel
Cleared · Public Domain
live
The American Rattlesnake Presenting Monsieur his Ally a Dish of Frogs
Anonymous, British, 18th century (d. 1800)
November 8, 1782 · Etching with watercolor
Cleared · Public Domain
live
The Tea-Tax-Tempest, or Old Time with his Magick Lanthern
Anonymous, British, 18th century (d. 1800)
March 12, 1783 · Etching
Cleared · Public Domain
live
"The Irrepressible Conflict," or the Republican Barque in Danger
Louis Maurer (d. 1932)
1860 · Lithograph
Cleared · Public Domain
live
The wounded comrade
Nicholas Shiels (d. 1900)
1884–89 · Brush and brown wash
Cleared · Public Domain
live
Horn
Unrecorded maker
late 19th century · Ivory, leather, reptile skin
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Symbolic Conflict between Cupid and Pan (Lutte symbolique de Cupidon et de Pan), plate 4 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli (d. 1824)
1804 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Conflict
Alfonso Ossorio (d. 1990)
1956–57 · Oil on Masonite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman Scolding Her Companion
Nellie Mae Rowe (d. 1982)
1981 · Oil pastel, crayon, colored pencil, black porous-point pen, and graphite on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
One Who Stands on the Earth
Edgar Heap of Birds, Hock E Aye VI (d. 9999)
1990 · Enamel on steel
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Individuals
Vik Muniz (d. 9999)
1998 · Silver dye bleach print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.