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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    367 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    284 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 94 matching records exist across the two collections.

Results for ""The Irrepressible Conflict," or the Rep"12 records

Institutions answered newest-first by record, interleaved

Bronze spearhead by an unrecorded maker, The Metropolitan Museum of Art

Bronze spearhead

Unrecorded maker

ca. 2000–1900 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Mitten Gauntlet for the Left Hand by an unrecorded maker, The Metropolitan Museum of Art

Mitten Gauntlet for the Left Hand

Unrecorded maker

ca. 1500 · Steel

Cleared · Public Domain

live
The MetSimilar
The American Rattlesnake Presenting Monsieur his Ally a Dish of Frogs by Anonymous, British, 18th century, The Metropolitan Museum of Art

The American Rattlesnake Presenting Monsieur his Ally a Dish of Frogs

Anonymous, British, 18th century (d. 1800)

November 8, 1782 · Etching with watercolor

Cleared · Public Domain

live
The MetSimilar
The Tea-Tax-Tempest, or Old Time with his Magick Lanthern by Anonymous, British, 18th century, The Metropolitan Museum of Art

The Tea-Tax-Tempest, or Old Time with his Magick Lanthern

Anonymous, British, 18th century (d. 1800)

March 12, 1783 · Etching

Cleared · Public Domain

live
The MetSimilar
"The Irrepressible Conflict," or the Republican Barque in Danger by Louis Maurer, The Metropolitan Museum of Art

"The Irrepressible Conflict," or the Republican Barque in Danger

Louis Maurer (d. 1932)

1860 · Lithograph

Cleared · Public Domain

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The MetSimilar
The wounded comrade by Nicholas Shiels, The Metropolitan Museum of Art

The wounded comrade

Nicholas Shiels (d. 1900)

1884–89 · Brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Horn by an unrecorded maker, The Metropolitan Museum of Art

Horn

Unrecorded maker

late 19th century · Ivory, leather, reptile skin

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Symbolic Conflict between Cupid and Pan (Lutte symbolique de Cupidon et de Pan), plate 4 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)

Tommaso Piroli (d. 1824)

1804 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Conflict

Alfonso Ossorio (d. 1990)

1956–57 · Oil on Masonite

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman Scolding Her Companion

Nellie Mae Rowe (d. 1982)

1981 · Oil pastel, crayon, colored pencil, black porous-point pen, and graphite on board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

One Who Stands on the Earth

Edgar Heap of Birds, Hock E Aye VI (d. 9999)

1990 · Enamel on steel

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Individuals

Vik Muniz (d. 9999)

1998 · Silver dye bleach print

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.