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A painting can be out of copyright and thephotograph of it can still be protected.

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Where this page got its records

  • The Metlive

    1678 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    366 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 2,054 matching records exist across the two collections.

Results for "A winged putto"12 records

Institutions answered newest-first by record, interleaved

Frieze Design with Acanthus Scrolls, Hybrid Creatures and a Winged Putto by Andrés de Melgar, The Metropolitan Museum of Art

Frieze Design with Acanthus Scrolls, Hybrid Creatures and a Winged Putto

Andrés de Melgar (d. 1554)

ca. 1545–60 · Pen and brown ink with brown wash

Cleared · Public Domain

live
The MetSimilar
Putto by Ignaz Günther, The Cleveland Museum of Art

Putto

Ignaz Günther (d. 1775)

c. 1760 · Sculpture, painted and gilded wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A Winged Putto Riding a Sea Horse and a Lion (recto); The Three Graces (verso) by Denijs Calvaert, The Metropolitan Museum of Art

A Winged Putto Riding a Sea Horse and a Lion (recto); The Three Graces (verso)

Denijs Calvaert (d. 1619)

1574 · Pen and brown ink, over black chalk (or charcoal), touches of red chalk, highlighted with white gouache (recto); pen and brown ink, over black chalk (verso); framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Plate with Putto, Masques, and Trophies by an unrecorded maker, The Cleveland Museum of Art

Plate with Putto, Masques, and Trophies

Unrecorded maker

c. 1530–50 · Ceramic, tin-glazed earthenware (maiolica)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A winged putto flogging a satyr tied to a tree by Jusepe de Ribera (called Lo Spagnoletto), The Metropolitan Museum of Art

A winged putto flogging a satyr tied to a tree

Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)

ca. 1625–50 · Etching

Cleared · Public Domain

live
The MetSimilar
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A winged putto flogging a satyr tied to a tree by Jusepe de Ribera (called Lo Spagnoletto), The Metropolitan Museum of Art

A winged putto flogging a satyr tied to a tree

Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)

ca. 1625–50 · Etching

Cleared · Public Domain

live
The MetSimilar
Leaf from a Book of Hours: Adoration of the Magi (recto) and Text with Illustrated Border (verso) (3 of 3 Excised Leaves) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Adoration of the Magi (recto) and Text with Illustrated Border (verso) (3 of 3 Excised Leaves)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Seated Woman with a Winged Putto by Giovanni Battista Tiepolo, The Metropolitan Museum of Art

Seated Woman with a Winged Putto

Giovanni Battista Tiepolo (d. 1770)

1696–1770 · Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
Needle Case (Etui à Aiguilles) by an unrecorded maker, The Cleveland Museum of Art

Needle Case (Etui à Aiguilles)

Unrecorded maker

1768–69 · Miscellaneous, painted wood, gold mounts

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A winged putto by Jules-Edmond-Charles Lachaise, The Metropolitan Museum of Art

A winged putto

Jules-Edmond-Charles Lachaise (d. 1897)

second half 19th century · graphite and watercolor on wove paper; mounted on wove paper

Cleared · Public Domain

live
The MetSimilar
Leaf from a Book of Hours: Adoration of the Magi (recto) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Adoration of the Magi (recto)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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