Putto
Ignaz Günther (d. 1775)
c. 1760 · Sculpture, painted and gilded wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
374 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 82 matching records exist across the two collections.
Results for "Putto"12 records
Institutions answered newest-first by record, interleaved
Putto
Ferdinand Tietz (d. 1777)
mid-1700s · Sculpture, painted and gilded wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Plate with Putto, Masques, and Trophies
Unrecorded maker
c. 1530–50 · Ceramic, tin-glazed earthenware (maiolica)
Cleared · CC0
liveCleveland Museum of ArtSimilar
Putto
Ferdinand Tietz (d. 1777)
mid-1700s · Sculpture, painted and gilded wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Putto
Unrecorded maker
late 1500s · Sculpture, gilt bronze
Cleared · CC0
liveCleveland Museum of ArtSimilar
Design for a Frieze with a Putto and Acanthus Leaves
Giulio Romano (d. 1546)
c. 1520 · Drawing, Pen and brown ink, red and black chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Altarpiece with Relics - Putto, middle right
Joseph Matthias Götz (d. 1760)
c. 1735–40 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Altarpiece with Relics - Putto, middle left
Joseph Matthias Götz (d. 1760)
c. 1735–1740 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Altarpiece with Relics - Putto with column, upper right
Joseph Matthias Götz (d. 1760)
1735–1740 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Altarpiece with Relics - Putto with Ewer, upper left
Joseph Matthias Götz (d. 1760)
c. 1735–40 · Sculpture, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Cupid Drawing His Bow
Federico Barocci (d. 1612)
c. 1560s · Drawing, black chalk with pastel (stumped in places), heightened with white chalk, squared with black chalk; framing lines in graphite
Cleared · CC0
liveCleveland Museum of ArtSimilar
Putti Pair
Ferdinand Tietz (d. 1777)
mid-1700s · Sculpture, painted and gilded wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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