
Five Groups of Acrobats
Stefano della Bella (d. 1664)
1652 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1687 ms. The Metropolitan Museum of Art, Collection API (Open Access)
427 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 207 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Five Groups of Acrobats
Stefano della Bella (d. 1664)
1652 · Etching
Cleared · Public Domain
live
Lobed Mirror with Acrobats on Lotus Blossoms
Unrecorded maker
early 600s-early 900s · Metalwork, bronze
Cleared · CC0
live
Acrobats
Cozzi Manufactory (d. 1812)
ca. 1765 · Hard-paste porcelain
Cleared · Public Domain
live
Carnival in the Snow
Paul Klee (d. 1940)
1923 · Drawing, watercolor
Cleared · CC0
live
Acrobats
Le Nove Porcelain Manufactory
ca. 1780 · Creamware
Cleared · Public Domain
live
Triumph of Bacchus
Johann Theodor de Bry (d. 1623)
1580–1623 · Print, engraving
Cleared · CC0
live
Acrobats
Unrecorded maker
ca. 1800s · Handscroll; ink and color on paper
Cleared · Public Domain
live
Young Man in Athletic Outfit
Oliver H. Willard (d. 1875)
c.1857 · Photograph, salted paper print from wet collodion negative
Cleared · CC0
live
Chinese acrobats
Carl von Scheidt (d. 1834)
ca. 1830 · Glass, enameled and gilt
Cleared · Public Domain
live
Acrobat at the Music Hall
Pierre Louis Gatier (d. 1944)
c. 1920s · Print, etching
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two acrobats
José Guadalupe Posada (d. 1913)
ca. 1880–1910 · Zincograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gilding the Acrobats
Paul Cadmus (d. 1999)
1935 · Tempera and oil on Masonite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.