
Filial Affection, or a Trip to Gretna Green
Thomas Rowlandson (d. 1827)
December 15, 1785 · Hand-colored etching with aquatint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
449 ms. The Metropolitan Museum of Art, Collection API (Open Access)
618 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 299 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Filial Affection, or a Trip to Gretna Green
Thomas Rowlandson (d. 1827)
December 15, 1785 · Hand-colored etching with aquatint
Cleared · Public Domain
live
Dancing Ganesha
Unrecorded maker
c. 1000 · Sculpture, sandstone
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Affection
John Raphael Smith (d. 1812)
October 1785 · Color stipple engraving; first state of two
In copyright
live
Tall Bamboo and Distant Mountains, after Wang Meng
Wang Hui (d. 1717)
1694 · Painting, Hanging scroll; ink on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Affection
Peltro William Tomkins (d. 1840)
1792 · Color stipple with etching
In copyright
live
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (d. 1824)
c. 1800 · Drawing, pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache, on cream wove paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Affection
Peltro William Tomkins (d. 1840)
1792 · Color stipple with etching
In copyright
live
Drawing of an Elephant
Unrecorded maker
c. 1700 · Painting, ink on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Affection
John Raphael Smith (d. 1812)
April 2, 1802 · Stipple engraving; second state of two
In copyright
live
Cropley Ashley-Cooper (Later 6th Earl of Shaftesbury) with His Sister Mary Anne Ashley-Cooper, Later Lady Sturt of Crichel
Daniel Gardner (d. 1805)
c. 1776 · Drawing, pastel with black and red chalk and graphite
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Token of Affection
Unrecorded maker
early 19th century · Watercolor, ink
In copyright
live
London Types: Beefeater
William Nicholson (d. 1949)
1898 · Print, color lithograph with watercolor added by hand
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.