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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    456 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    339 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 45 matching records exist across the two collections.

Results for "Battle-ax"9 records

Institutions answered newest-first by record, interleaved

Battle-ax by an unrecorded maker, The Metropolitan Museum of Art

Battle-ax

Unrecorded maker

ca. 1981–1802 B.C. · Bronze, restored shaft and lashing

Cleared · Public Domain

live
The MetSimilar
Battle Axe by an unrecorded maker, The Cleveland Museum of Art

Battle Axe

Unrecorded maker

late 1500s · Arms and Armor, steel, inset with copper rosette

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Battle Ax of Baki by an unrecorded maker, The Metropolitan Museum of Art

Battle Ax of Baki

Unrecorded maker

ca. 1504–1447 BCE · Bronze or copper alloy, wood (with modern restoration), modern rawhide

Cleared · Public Domain

live
The MetSimilar
Parade Halberd (from the bodyguard of Ludwig Rudolf, Duke of Brunswick- Wolfenbüttel [1671-1735]) by an unrecorded maker, The Cleveland Museum of Art

Parade Halberd (from the bodyguard of Ludwig Rudolf, Duke of Brunswick- Wolfenbüttel [1671-1735])

Unrecorded maker

1717 · Arms and Armor, blued, etched and gilded steel, wooden haft with orginal steel base spike, silk tassel with alternating blue and gold bands

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Battle Axe by an unrecorded maker, The Cleveland Museum of Art

Battle Axe

Unrecorded maker

1400s · Arms and Armor, Steel and wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Battle Axe by an unrecorded maker, The Cleveland Museum of Art

Battle Axe

Unrecorded maker

c. 1500 BCE · Metalwork, bronze, solid-cast

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Hauberk by an unrecorded maker, The Cleveland Museum of Art

Hauberk

Unrecorded maker

1400s · Arms and Armor, riveted steel rings; close woven

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ceremonial Axe (gano) by an unrecorded maker, The Cleveland Museum of Art

Ceremonial Axe (gano)

Unrecorded maker

1900s, by 1928 · Arms and Armor, Iron, wood, and metal

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Battle Axe by an unrecorded maker, The Cleveland Museum of Art

Battle Axe

Unrecorded maker

c. 1800 · Arms and Armor, steel

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.