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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    680 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    311 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,150 matching records exist across the two collections.

Results for "Bench"12 records

Institutions answered newest-first by record, interleaved

Bench by an unrecorded maker, The Metropolitan Museum of Art

Bench

Unrecorded maker

15th century · Walnut and oak

Cleared · Public Domain

live
The MetSimilar
Bench by Louis Majorelle, The Cleveland Museum of Art

Bench

Louis Majorelle (d. 1926)

c. 1900 · Furniture and woodwork, gilt wood

Cleared · CC0

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Cleveland Museum of ArtSimilar
Bench by an unrecorded maker, The Metropolitan Museum of Art

Bench

Unrecorded maker

16th century · Walnut

Cleared · Public Domain

live
The MetSimilar
Courtesan Seated on a Bench Enjoying the Evening Cool in Summer by Kamigaki Hōryū, The Cleveland Museum of Art

Courtesan Seated on a Bench Enjoying the Evening Cool in Summer

Kamigaki Hōryū

1615–1868 · Painting, hanging scroll, ink and color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bench by an unrecorded maker, The Metropolitan Museum of Art

Bench

Unrecorded maker

16th century · Walnut

Cleared · Public Domain

live
The MetSimilar
The Virgin and Child on a Grassy Bench by Albrecht Dürer, The Cleveland Museum of Art

The Virgin and Child on a Grassy Bench

Albrecht Dürer (d. 1528)

1503 · Print, engraving

Cleared · CC0

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Cleveland Museum of ArtSimilar
Bench by an unrecorded maker, The Metropolitan Museum of Art

Bench

Unrecorded maker

ca. 1700 · Spruce, white oak

Cleared · Public Domain

live
The MetSimilar
The Last Supper (pair) by Lucantonio degli Uberti, The Cleveland Museum of Art

The Last Supper (pair)

Lucantonio degli Uberti

c. 1500 · Print, engraving on two sheets printed from two plates

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bench by an unrecorded maker, The Metropolitan Museum of Art

Bench

Unrecorded maker

1740–80 · Yellow pine

Cleared · Public Domain

live
The MetSimilar
Icon of the New Testament Trinity by an unrecorded maker, The Cleveland Museum of Art

Icon of the New Testament Trinity

Unrecorded maker

c. 1450 · Painting, Tempera and gold on wood panel (poplar)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bench by United Society of Believers in Christ’s Second Appearing (“Shakers”), The Metropolitan Museum of Art

Bench

United Society of Believers in Christ’s Second Appearing (“Shakers”) (d. 9999)

1825–50 · Pine

Cleared · Public Domain

live
The MetSimilar
Bench by United Society of Believers in Christ’s Second Appearing (“Shakers”), The Metropolitan Museum of Art

Bench

United Society of Believers in Christ’s Second Appearing (“Shakers”) (d. 9999)

ca. 1850 · Pine

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.