
Bench End-Panel from a shelf support in the Palace of Amenhotep III-Fruit Stand
Unrecorded maker
ca. 1386–1347 BCE · Mud plaster, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
294 ms. The Metropolitan Museum of Art, Collection API (Open Access)
314 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 106 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bench End-Panel from a shelf support in the Palace of Amenhotep III-Fruit Stand
Unrecorded maker
ca. 1386–1347 BCE · Mud plaster, paint
Cleared · Public Domain
live
Bench Side-Panel Depicting a Calf in the Marshes
Unrecorded maker
ca. 1386–1347 BCE · Mud plaster, paint
Cleared · Public Domain
live
The Trinity Adored by All Saints
Spanish Painter
1405 · Tempera and gold on wood
Cleared · Public Domain
live
Bench
Unrecorded maker
15th century · Walnut and oak
Cleared · Public Domain
live
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso (d. 1465)
after ca. 1461 · Poplar wood, linen, polychromed and gilded gesso with panel painted in tempera and gold
Cleared · Public Domain
live
Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso)
Peter Paul Rubens (d. 1640)
ca. 1601–02 (recto); ca. 1601 (verso) · Pen and brown ink, over black chalk
Cleared · Public Domain
live
The Van Moerkerken Family
Gerard ter Borch the Younger (d. 1681)
ca. 1653–54 · Oil on wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel of ornament with a trophy of arms and a shield at center depicting a soldier in battle, from Montants d'ornement, right-hand side of plate 1
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel with Two Overdoor Paintings, Above an Overmantel Painting of a Man and Woman Flanking a Vase, from Nouveau Liuvre de Taleaux de Portes, et cheminée utiles aux peintres en floeurs, Part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
after 1703–12 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 112: Two Alcoves, from "A New Book of Chinese Designs"
Matthias Darly (d. 1780)
1754 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Side Chair
Herter Brothers (d. 1906)
ca. 1878 · Ebonized wood, unidentified metals, and replacement silk upholstery
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Wooden Bench with Caning in the Art Nouveau Style
Georges de Feure (d. 1943)
ca. 1895–1900 · Graphite and watercolor
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.