
Maharana Sarup Singh Inspects a Prize Stallion
Tara (d. 1870)
1845–46 · Opaque watercolor, ink, and gold on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
562 ms. The Metropolitan Museum of Art, Collection API (Open Access)
268 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 27 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Maharana Sarup Singh Inspects a Prize Stallion
Tara (d. 1870)
1845–46 · Opaque watercolor, ink, and gold on paper
Cleared · Public Domain
live![[Studio Portrait: Female and Male Street Vendors with Baskets on Head, Brazil] by Christiano Junior, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-15801-119.jpg)
[Studio Portrait: Female and Male Street Vendors with Baskets on Head, Brazil]
Christiano Junior (d. 1902)
1864–66 · Albumen silver print
Cleared · Public Domain
live![[Studio Portrait: Female Street Vendor Seated Wearing Turban, Brazil] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-15801-133.jpg)
[Studio Portrait: Female Street Vendor Seated Wearing Turban, Brazil]
Unknown
1864–66 · Albumen silver print
Cleared · Public Domain
live![[Photo Collage: Man Drawing Bust] by Juan Pedro Chabalgoity, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-15801-045.jpg)
[Photo Collage: Man Drawing Bust]
Juan Pedro Chabalgoity (d. 1909)
ca. 1875 · Albumen silver prints, lithographs
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Celebrities Female Kioto Photographer
Kuwada (d. 1889)
1860s–70s · Albumen silver prints from glass negatives
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Études de nu
Germaine Krull (d. 1985)
1930 · Photogravures
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Femmes
Sasha Stone (d. 1940)
1933 · Photogravures
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Architectural element with male figure
Bamum artist
19th–mid-20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Architectural element with female figure
Bamum artist
19th–mid-20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Ardeshir Mohassess (d. 2008)
1982 · Pen and black ink and crayon on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.