Vase
Celia Laighton Thaxter (d. 1894)
1888 · Glazed and painted earthenware
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
163 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
270 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 55 matching records exist across the two collections.
Results for "Celia"12 records
Institutions answered newest-first by record, interleaved
Sampler
Celia Kestenbaum Grossman
1858 · Sampler, linen: embroidery
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Island Garden
Celia Laighton Thaxter (d. 1894)
1894, 1895 on title page · Illustrations: chromolithography
In copyright
liveThe MetSimilar
The Idolatry of Solomon
Pietro da Cortona (d. 1669)
1622–23 · Drawing, Pen and brown ink, point of brush and black ink, brush and brown wash, and white and blue gouache, framing lines in brown ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Celia
John Graham (d. 1961)
ca. 1944 · Oil, casein, charcoal, chalk, graphite, and ink on Masonite
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Mexican woman standing holding a child on her hip
Celia Calderón de la Barca (d. 1969)
ca. 1940–60 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mexico, owner of all its resources (Mexico, dueño de todos sus recursos), Plate 140 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Celia Calderón de la Barca (d. 1969)
1960 · Offset lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Morelos, Plate 9 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Celia Calderón de la Barca (d. 1969)
1960 · Offset lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Cristero rebellion (La rebelion Cristera), Plate 100 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Celia Calderón de la Barca (d. 1969)
1960 · Offset lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The nation does not accept foregn bases (La nacion no acepta bases extranjeras), Plate 123 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Celia Calderón de la Barca (d. 1969)
1960 · Offset lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Celia
David Hockney (d. 2026)
1969 · Etching and aquatint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lucy Astor
Celia Paul (d. 9999)
1991 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.