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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    491 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    455 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 169 matching records exist across the two collections.

Results for "Chatelaine and Case (Étui)"12 records

Institutions answered newest-first by record, interleaved

Étui by an unrecorded maker, The Metropolitan Museum of Art

Étui

Unrecorded maker

ca. 1765–70 · Enameled copper, ivory

Cleared · Public Domain

live
The MetSimilar
Chatelaine and Case (Étui) by an unrecorded maker, The Cleveland Museum of Art

Chatelaine and Case (Étui)

Unrecorded maker

c. 1770 · Miscellaneous, gray agate mounted in gilt metal

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Étui by an unrecorded maker, The Metropolitan Museum of Art

Étui

Unrecorded maker

ca. 1765–70 · Copper, enamel

Cleared · Public Domain

live
The MetSimilar
Scissors by an unrecorded maker, The Cleveland Museum of Art

Scissors

Unrecorded maker

c. 1770 · Miscellaneous, gilt metal

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Étui by Robert Sayer, The Metropolitan Museum of Art

Étui

Robert Sayer (d. 1794)

ca. 1765–70 · Enameled copper

Cleared · Public Domain

live
The MetSimilar
Sharpening Blade by an unrecorded maker, The Cleveland Museum of Art

Sharpening Blade

Unrecorded maker

c. 1770 · Miscellaneous, gilt metal

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Étui by Robert Sayer, The Metropolitan Museum of Art

Étui

Robert Sayer (d. 1794)

ca. 1765–70 · Enameled copper

Cleared · Public Domain

live
The MetSimilar
Needle by an unrecorded maker, The Cleveland Museum of Art

Needle

Unrecorded maker

c. 1770 · Miscellaneous, gilt metal

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Étui by an unrecorded maker, The Metropolitan Museum of Art

Étui

Unrecorded maker

ca. 1765–70 · Enameled copper

Cleared · Public Domain

live
The MetSimilar
Pencil by an unrecorded maker, The Cleveland Museum of Art

Pencil

Unrecorded maker

c. 1770 · Miscellaneous, gilt metal

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Étui by Robert Sayer, The Metropolitan Museum of Art

Étui

Robert Sayer (d. 1794)

ca. 1765–70 · Copper, enamel

Cleared · Public Domain

live
The MetSimilar
Snuff Spoon by an unrecorded maker, The Cleveland Museum of Art

Snuff Spoon

Unrecorded maker

c. 1770 · Miscellaneous, gilt metal

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.