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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    318 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    291 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 339 matching records exist across the two collections.

Results for "Scissors"12 records

Institutions answered newest-first by record, interleaved

Scissors by an unrecorded maker, The Metropolitan Museum of Art

Scissors

Unrecorded maker

1392 · Bronze

Cleared · Public Domain

live
The MetSimilar
Scissors by an unrecorded maker, The Cleveland Museum of Art

Scissors

Unrecorded maker

c. 1770 · Miscellaneous, gilt metal

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Scissors by an unrecorded maker, The Metropolitan Museum of Art

Scissors

Unrecorded maker

15th or 16th century · Iron

Cleared · Public Domain

live
The MetSimilar
Scissors Case (Etui) by an unrecorded maker, The Cleveland Museum of Art

Scissors Case (Etui)

Unrecorded maker

c.1690 · Silver, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Scissors by an unrecorded maker, The Metropolitan Museum of Art

Scissors

Unrecorded maker

ca. 1636 · Silver, steel

Cleared · Public Domain

live
The MetSimilar
Sugar Scissors by Jacob Hurd, The Cleveland Museum of Art

Sugar Scissors

Jacob Hurd (d. 1758)

c. 1750 · Silver, silver

Cleared · CC0

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Cleveland Museum of ArtSimilar
Scissors by an unrecorded maker, The Metropolitan Museum of Art

Scissors

Unrecorded maker

17th century · Iron

Cleared · Public Domain

live
The MetSimilar
Sugar Scissors by an unrecorded maker, The Cleveland Museum of Art

Sugar Scissors

Unrecorded maker

c. 1750–1760 and late 19th century · Silver, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Scissors by Gabriel de la Vega, The Metropolitan Museum of Art

Scissors

Gabriel de la Vega (d. 1775)

1733 · Steel

Cleared · Public Domain

live
The MetSimilar
Samson and Delilah by Hans Burgkmair, The Cleveland Museum of Art

Samson and Delilah

Hans Burgkmair (d. 1531)

1519 · Print, woodcut

Cleared · CC0

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Cleveland Museum of ArtSimilar
Scissors by Pedro Diaz, The Metropolitan Museum of Art

Scissors

Pedro Diaz (d. 1800)

1738 (?) · Steel

Cleared · Public Domain

live
The MetSimilar
Title and Dedication Page by Filippo Morghen, The Cleveland Museum of Art

Title and Dedication Page

Filippo Morghen (d. 1807)

about 1769 · Print, etching

Cleared · CC0

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Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.