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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    172 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    292 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,099 matching records exist across the two collections.

Results for "Comb"12 records

Institutions answered newest-first by record, interleaved

Comb by an unrecorded maker, The Metropolitan Museum of Art

Comb

Unrecorded maker

ca. 1550–1458 BCE · Wood

Cleared · Public Domain

live
The MetSimilar
Lily of the Valley Comb by René Lalique, The Cleveland Museum of Art

Lily of the Valley Comb

René Lalique (d. 1945)

c. 1900 · Jewelry, horn, enamel and gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Comb by an unrecorded maker, The Metropolitan Museum of Art

Comb

Unrecorded maker

ca. 1550–1458 BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Comb (cisakulo) by an unrecorded maker, The Cleveland Museum of Art

Comb (cisakulo)

Unrecorded maker

mid- to late 1800s · Jewelry, Wood, glass beads, and natural fibers

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Comb by an unrecorded maker, The Metropolitan Museum of Art

Comb

Unrecorded maker

ca. 1550–1458 BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Comb with Gazelle by an unrecorded maker, The Cleveland Museum of Art

Comb with Gazelle

Unrecorded maker

c. 1391–1353 BCE · Cosmetic Objects, wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Comb by an unrecorded maker, The Metropolitan Museum of Art

Comb

Unrecorded maker

ca. 1550–1458 BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Comb by an unrecorded maker, The Cleveland Museum of Art

Comb

Unrecorded maker

1400s · Jewelry, boxwood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Comb by an unrecorded maker, The Metropolitan Museum of Art

Comb

Unrecorded maker

13th century · Wood; carved, sawn, drilled, and painted

Cleared · Public Domain

live
The MetSimilar
Snuff Spoon/Comb (intshengula or izintshengula) by an unrecorded maker, The Cleveland Museum of Art

Snuff Spoon/Comb (intshengula or izintshengula)

Unrecorded maker

late 1800s · Sculpture, Bone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Comb by an unrecorded maker, The Metropolitan Museum of Art

Comb

Unrecorded maker

1530–1560s · Boxwood

Cleared · Public Domain

live
The MetSimilar
Comb by an unrecorded maker, The Cleveland Museum of Art

Comb

Unrecorded maker

c. 1910 · Tools and Equipment, Wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.