
Closed yoke
Classic Veracruz artist(s)
600–900 CE · Basalt (andesite, feldspar/diopside[?]), iron oxide
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
262 ms. The Metropolitan Museum of Art, Collection API (Open Access)
515 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Closed yoke
Classic Veracruz artist(s)
600–900 CE · Basalt (andesite, feldspar/diopside[?]), iron oxide
Cleared · Public Domain
live
Ear Spool
Unrecorded maker
450–1000 CE · Gold
Cleared · Public Domain
live
Ear Spool
Unrecorded maker
450–1000 CE · Gold
Cleared · Public Domain
live
Tunic
Wari artist
650–1000 CE · Cotton, camelid hair
Cleared · Public Domain
live
Tabernacle door with the risen Christ
Pietro Paolo Nardi
mid-17th century · Bronze, fire-gilt; iron (lock mechanism)
Cleared · Public Domain
live
Casket with scenes from the Story of Solomon and the Queen of Sheba
Unrecorded maker
1670s · Satin worked with silk and metal thread, seed pearls; tent, satin, couching, Ceylon, detached needlepoint variations, knotted pile, knots, and crochet stitches; needle lace, metal bobbin lace; wood frame, silk lining, carved wooden feet
Cleared · Public Domain
live
Banquet of the gods
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)
16th century or later · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Useful, Composed of Ornaments of All Periods and Styles
John Phillip Rinn (d. 1905)
1877 · Photo lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Useful, Composed of Ornaments of All Periods and Styles
John Phillip Rinn (d. 1905)
1877 · Photo lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for portal curtain one for "Oh, Kay", Imperial Theater, New York City, 1926
John Wenger (d. 1976)
1926 · Pen and ink, watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bark Painting
Unrecorded maker
1940s–1950s · Bark, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bark Painting
Unrecorded maker
mid-20th century · Bark, paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.