Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    1683 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    331 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10,134 matching records exist across the two collections.

Results for "Tunic"12 records

Institutions answered newest-first by record, interleaved

Tunic by an unrecorded maker, The Metropolitan Museum of Art

Tunic

Unrecorded maker

700–850 · Camelid hair

Cleared · Public Domain

live
The MetSimilar
Tunic by an unrecorded maker, The Cleveland Museum of Art

Tunic

Unrecorded maker

400–200 BCE · Textile, looped camelid fiber

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tunic by Wari artist, The Metropolitan Museum of Art

Tunic

Wari artist

650–1000 CE · Cotton, camelid hair

Cleared · Public Domain

live
The MetSimilar
Tunic by an unrecorded maker, The Cleveland Museum of Art

Tunic

Unrecorded maker

c. 300 BCE–200 CE · Textile, Alpaca wool: plain weave with embroidery and warp substitution

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tunic by Inca artist(s), The Metropolitan Museum of Art

Tunic

Inca artist(s)

1400–1535 CE · Camelid fiber

Cleared · Public Domain

live
The MetSimilar
Segmentum from a Tunic by an unrecorded maker, The Cleveland Museum of Art

Segmentum from a Tunic

Unrecorded maker

750–99 · Textile, tapestry; linen and wool

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tunic by Chuquibamba artist, The Metropolitan Museum of Art

Tunic

Chuquibamba artist

1460–1540 · Camelid hair, cotton

Cleared · Public Domain

live
The MetSimilar
Half Tunic by an unrecorded maker, The Cleveland Museum of Art

Half Tunic

Unrecorded maker

16th century · Textile, interlocked tapestry; cotton and wool

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tunic by an unrecorded maker, The Metropolitan Museum of Art

Tunic

Unrecorded maker

1450–1550 · Camelid hair

Cleared · Public Domain

live
The MetSimilar
Square Ornament from a Tunic by an unrecorded maker, The Cleveland Museum of Art

Square Ornament from a Tunic

Unrecorded maker

700s · Textile, Silk; complementary weft-faced twill weave with inner warps (samite)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tunic by an unrecorded maker, The Metropolitan Museum of Art

Tunic

Unrecorded maker

15th–early 16th century · Camelid hair, feathers

Cleared · Public Domain

live
The MetSimilar
Lower Section of a Tunic by an unrecorded maker, The Cleveland Museum of Art

Lower Section of a Tunic

Unrecorded maker

400s CE · Textile, Undyed linen and dyed wool: tapestry weave with supplementary weft wrapping

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.