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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    313 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    334 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 48 matching records exist across the two collections.

Results for "Envy"12 records

Institutions answered newest-first by record, interleaved

Envy, from The Vices by Heinrich Aldegrever, The Metropolitan Museum of Art

Envy, from The Vices

Heinrich Aldegrever (d. 1561)

1552 · Engraving

Cleared · Public Domain

live
The MetSimilar
Envy by Jacob Matham, The Cleveland Museum of Art

Envy

Jacob Matham (d. 1631)

1593 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Envy, from "The Seven Deadly Sins" by Léon Davent, The Metropolitan Museum of Art

Envy, from "The Seven Deadly Sins"

Léon Davent (d. 1556)

ca. 1550–55 · Etching

Cleared · Public Domain

live
The MetSimilar
Hercules Driving Envy from the Temple of the Muses by Ugo da Carpi, The Cleveland Museum of Art

Hercules Driving Envy from the Temple of the Muses

Ugo da Carpi (d. 1532)

1522–24 · Print, chiaroscuro woodcut (in black and gray)

Cleared · CC0

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Cleveland Museum of ArtSimilar
Envy, from "Virtues and Vices" by Zacharias Dolendo, The Metropolitan Museum of Art

Envy, from "Virtues and Vices"

Zacharias Dolendo (d. 1604)

1596–97 · Engraving; New Hollstein's first state of two

Cleared · Public Domain

live
The MetSimilar
The Triumph of Truth over Envy, Plate 24 by Maria Catharina Prestel, The Cleveland Museum of Art

The Triumph of Truth over Envy, Plate 24

Maria Catharina Prestel (d. 1794)

1781 · Print, Etching and aquatint printed in brown ink with gold leaf

Cleared · CC0

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Cleveland Museum of ArtSimilar
Envy from Ovid's "House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso) by William Hamilton, The Metropolitan Museum of Art

Envy from Ovid's "House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso)

William Hamilton (d. 1801)

1770–80 · Recto: pen and black ink, brush and brown wash and watercolor, over graphite Verso: pen and brown ink and graphite

Cleared · Public Domain

live
The MetSimilar
Bowl with Engraved Figures of Vices by an unrecorded maker, The Cleveland Museum of Art

Bowl with Engraved Figures of Vices

Unrecorded maker

1150–1200 · Metalwork, bronze: spun, hammered, chased, and punched

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Triumph of Truth over Envy by Maria Catharina Prestel, The Metropolitan Museum of Art

The Triumph of Truth over Envy

Maria Catharina Prestel (d. 1794)

1781 · Etching and aquatint with gold leaf

Cleared · Public Domain

live
The MetSimilar
The Seven Deadly Sins: Envy by James Ensor, The Cleveland Museum of Art

The Seven Deadly Sins: Envy

James Ensor (d. 1949)

1904 · Print, etching

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Triumph of Genius over Envy by Eugène Delacroix, The Metropolitan Museum of Art

The Triumph of Genius over Envy

Eugène Delacroix (d. 1863)

ca. 1849–51 · Pen and brown ink over graphite on laid paper, mounted on cardboard

Cleared · Public Domain

live
The MetSimilar
The Calumny of Apelles by Giorgio Ghisi, The Cleveland Museum of Art

The Calumny of Apelles

Giorgio Ghisi (d. 1582)

1560 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

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