Flywhisk
Unrecorded maker
late 1800s-early 1900s · Sculpture, Wood and animal hair
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
270 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 10 matching records exist across the two collections.
Results for "Flywhisk"10 records
Institutions answered newest-first by record, interleaved
Female Attendants
Unrecorded maker
700s · Ivory, ivory
Cleared · CC0
liveCleveland Museum of ArtSimilar
Dipak Raga, One of the Thirty-Six Melodies (Ragamala): Personifying Love
Unrecorded maker
c. 1690 · Painting, Gum tempera and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Akbar supervising the capture of wild elephants at Malwa in 1564, painting 90 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian 1551–1602)
Farukh Chela
c. 1602–3; borders added c. 1700s · Painting, ink with use of colors and gold on paper, mounted on an album page with borders of gold-decorated buff and blue paper (recto); calligraphy by Faqir Ali (verso)
Cleared · CC0
liveCleveland Museum of ArtSimilar
Flywhisk
Unrecorded maker
c. 1850 · Sculpture, Copper alloy and leather
Cleared · CC0
liveCleveland Museum of ArtSimilar
Female Attendant Bearing Fly-Whisk (Chauri)
Unrecorded maker
700s · Ivory, ivory
Cleared · CC0
liveCleveland Museum of ArtSimilar
The king’s emissary being provided with gifts for his mission to Rum in order to seek the hand of the emperor’s daughter in marriage, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Male Figurine or Finial
Unrecorded maker
early 1800s-early 1900s · Sculpture, Wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rama and Sita enthroned (recto), from a Kalighat album
Unrecorded maker
c. 1890 · Painting, Gum tempera, graphite, and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Akbar supervising the capture of wild elephants at Malwa in 1564, painting 90 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian 1551–1602)
Farukh Chela
c. 1602–3; borders added c. 1700s · Painting, ink with use of colors and gold on paper, mounted on an album page with borders of gold-decorated buff and blue paper (verso); calligraphy by Faqir Ali (recto)
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.