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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    346 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 151 matching records exist across the two collections.

Results for "Fragment of a Tunic with Segmentum and P"12 records

Institutions answered newest-first by record, interleaved

Tunic Fragment with Lions and Putti by an unrecorded maker, The Metropolitan Museum of Art

Tunic Fragment with Lions and Putti

Unrecorded maker

5th–7th century · Wool, linen; plain weave, tapestry weave

Cleared · Public Domain

live
The MetSimilar
Tunic Fragment with Button Closure by an unrecorded maker, The Metropolitan Museum of Art

Tunic Fragment with Button Closure

Unrecorded maker

5th–8th century · Linen, wool; tapestry weave

Cleared · Public Domain

live
The MetSimilar
Tunic Fragment with Applied Bands by an unrecorded maker, The Metropolitan Museum of Art

Tunic Fragment with Applied Bands

Unrecorded maker

6th–9th century · Wool, linen; plain weave, tapestry weave

Cleared · Public Domain

live
The MetSimilar
Tunic Fragment by an unrecorded maker, The Metropolitan Museum of Art

Tunic Fragment

Unrecorded maker

7th–9th century · Camelid hair, cotton

Cleared · Public Domain

live
The MetSimilar
Tunic Fragment by an unrecorded maker, The Metropolitan Museum of Art

Tunic Fragment

Unrecorded maker

7th–9th century · Cotton, camelid hair

Cleared · Public Domain

live
The MetSimilar
Tunic by Wari artist, The Metropolitan Museum of Art

Tunic

Wari artist

650–1000 CE · Cotton, camelid hair

Cleared · Public Domain

live
The MetSimilar
Tunic fragment by Wari artist, The Metropolitan Museum of Art

Tunic fragment

Wari artist

650–1000 CE · Camelid hair, cotton

Cleared · Public Domain

live
The MetSimilar
Tunic with Felines by an unrecorded maker, The Metropolitan Museum of Art

Tunic with Felines

Unrecorded maker

1450–1550 · Cotton, camelid hair

Cleared · Public Domain

live
The MetSimilar
Tunic by Chuquibamba artist, The Metropolitan Museum of Art

Tunic

Chuquibamba artist

1460–1540 · Camelid hair, cotton

Cleared · Public Domain

live
The MetSimilar
Tunic with Diamond Band by an unrecorded maker, The Metropolitan Museum of Art

Tunic with Diamond Band

Unrecorded maker

1460–1540 · Camelid hair, cotton

Cleared · Public Domain

live
The MetSimilar
Tunic by an unrecorded maker, The Metropolitan Museum of Art

Tunic

Unrecorded maker

15th–early 16th century · Camelid hair, feathers

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tunic

Unrecorded maker

5th–7th century · Linen, wool

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.