
The Abduction of the Sabine Women
Nicolas Poussin (d. 1665)
probably 1633–34 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
480 ms. The Metropolitan Museum of Art, Collection API (Open Access)
345 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 19 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Abduction of the Sabine Women
Nicolas Poussin (d. 1665)
probably 1633–34 · Oil on canvas
Cleared · Public Domain
live
The French Comedians
Antoine Watteau (d. 1721)
ca. 1720 · Oil on canvas
Cleared · Public Domain
live
Harlequina
Nymphenburg Porcelain Manufactory (d. 9999)
ca. 1760 · Hard-paste porcelain
Cleared · Public Domain
live
Lucinda
Nymphenburg Porcelain Manufactory (d. 9999)
ca. 1760 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
The House of York
Philippe Jacques de Loutherbourg (d. 1812)
1796 · Pen and brown and black ink with brush and brown and gray wash over graphite underdrawing
Cleared · Public Domain
live
Théâtre Italien (Gioacchino Rossini, 1792–1868)
Eugène Delacroix (d. 1863)
1821 · Graphite with brush and brown wash; red chalk applied to verso for image transfer
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
French Theatre, Italian Theatre, Sculpture, Painting, and Stone-mason's Yard [trade card blank]
Richard Holmes Laurie (d. 1835)
February 12, 1821 · Hand-colored etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Master Burke as Napoleon Bonaparte
Isaac Robert Cruikshank (d. 1856)
ca. 1827 · Etching and aquatint, hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Card tray with Loie Fuller
Anna Marie Valentien (d. 1947)
1901 · Earthenware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Change of Position
Anton Giulio Bragaglia (d. 1960)
1911 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Facade of the Claudio Santoro National Theater, concrete panel by Athos Bulcão, Brasília
Vincent Fournier (d. 9999)
2012 · Inkjet print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Refusal of Time
William Kentridge (d. 9999)
2012 · Five-channel digital video installation, black-and-white and color, sound, 30 min.; steel megaphones, and a breathing machine (“elephant”)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.