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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    480 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    345 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "French Theatre, Italian Theatre, Sculptu"12 records

Institutions answered newest-first by record, interleaved

The Abduction of the Sabine Women by Nicolas Poussin, The Metropolitan Museum of Art

The Abduction of the Sabine Women

Nicolas Poussin (d. 1665)

probably 1633–34 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The French Comedians by Antoine Watteau, The Metropolitan Museum of Art

The French Comedians

Antoine Watteau (d. 1721)

ca. 1720 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Harlequina by Nymphenburg Porcelain Manufactory, The Metropolitan Museum of Art

Harlequina

Nymphenburg Porcelain Manufactory (d. 9999)

ca. 1760 · Hard-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Lucinda by Nymphenburg Porcelain Manufactory, The Metropolitan Museum of Art

Lucinda

Nymphenburg Porcelain Manufactory (d. 9999)

ca. 1760 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
The House of York by Philippe Jacques de Loutherbourg, The Metropolitan Museum of Art

The House of York

Philippe Jacques de Loutherbourg (d. 1812)

1796 · Pen and brown and black ink with brush and brown and gray wash over graphite underdrawing

Cleared · Public Domain

live
The MetSimilar
Théâtre Italien (Gioacchino Rossini, 1792–1868) by Eugène Delacroix, The Metropolitan Museum of Art

Théâtre Italien (Gioacchino Rossini, 1792–1868)

Eugène Delacroix (d. 1863)

1821 · Graphite with brush and brown wash; red chalk applied to verso for image transfer

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

French Theatre, Italian Theatre, Sculpture, Painting, and Stone-mason's Yard [trade card blank]

Richard Holmes Laurie (d. 1835)

February 12, 1821 · Hand-colored etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Master Burke as Napoleon Bonaparte

Isaac Robert Cruikshank (d. 1856)

ca. 1827 · Etching and aquatint, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Card tray with Loie Fuller

Anna Marie Valentien (d. 1947)

1901 · Earthenware

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Change of Position

Anton Giulio Bragaglia (d. 1960)

1911 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Facade of the Claudio Santoro National Theater, concrete panel by Athos Bulcão, Brasília

Vincent Fournier (d. 9999)

2012 · Inkjet print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Refusal of Time

William Kentridge (d. 9999)

2012 · Five-channel digital video installation, black-and-white and color, sound, 30 min.; steel megaphones, and a breathing machine (“elephant”)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.