
Lucinda
Nymphenburg Porcelain Manufactory (d. 9999)
ca. 1760 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
714 ms. The Metropolitan Museum of Art, Collection API (Open Access)
241 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Lucinda
Nymphenburg Porcelain Manufactory (d. 9999)
ca. 1760 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lucinda
Richard Purcell (d. 1766)
1754–66 · Mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Veil Fragment
Lucinda Vail Moser (d. 9999)
ca. 1825–30 · Cotton (?) , lace
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lucinda of New York
Childe Hassam (d. 1935)
1915 · Etching; proof from cancelled plate
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening dress
B. Altman & Co. (d. 1990)
early 1920s · silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tippet
Unrecorded maker
1900–1925 · ermine fur
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening cloche
Unrecorded maker
1920s · cotton, metal thread
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening wrap
Unrecorded maker
mid-1920s · fur
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tea gown
Franklin Simon & Co. (d. 9999)
1920s · silk, metallic thread
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tea gown
Best & Co. (d. 1969)
early 1930s · silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bolero
Unrecorded maker
1930s · [no medium available]
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lucinda Franks, Supersisters No. 23
Supersisters Inc.
1979 · Photolithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.