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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    714 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    241 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "Lucinda"12 records

Institutions answered newest-first by record, interleaved

Lucinda by Nymphenburg Porcelain Manufactory, The Metropolitan Museum of Art

Lucinda

Nymphenburg Porcelain Manufactory (d. 9999)

ca. 1760 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lucinda

Richard Purcell (d. 1766)

1754–66 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Veil Fragment

Lucinda Vail Moser (d. 9999)

ca. 1825–30 · Cotton (?) , lace

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Lucinda of New York

Childe Hassam (d. 1935)

1915 · Etching; proof from cancelled plate

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Evening dress

B. Altman & Co. (d. 1990)

early 1920s · silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tippet

Unrecorded maker

1900–1925 · ermine fur

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Evening cloche

Unrecorded maker

1920s · cotton, metal thread

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Evening wrap

Unrecorded maker

mid-1920s · fur

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tea gown

Franklin Simon & Co. (d. 9999)

1920s · silk, metallic thread

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tea gown

Best & Co. (d. 1969)

early 1930s · silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bolero

Unrecorded maker

1930s · [no medium available]

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lucinda Franks, Supersisters No. 23

Supersisters Inc.

1979 · Photolithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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