
Brooklyn, Long Island (View of the Village Green)
Unrecorded maker
ca. 1778 · Watercolor, pen and black in on off-white laid paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
915 ms. The Metropolitan Museum of Art, Collection API (Open Access)
308 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 499 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Brooklyn, Long Island (View of the Village Green)
Unrecorded maker
ca. 1778 · Watercolor, pen and black in on off-white laid paper
Cleared · Public Domain
live
Brooklyn, Long Island (View on the East River)
Unrecorded maker
ca. 1778 · Watercolor, pen and black ink on off-white laid paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sketch of the Country Illustrating the late Engagement in Long Island, from the Gentleman's Magazine
Anonymous, British, late 18th century (d. 1800)
October 1776 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Attaque de l'Armée des Provinciaux dans Long Island du 27 Août, 1776 [Map showing the attack of the provincial army on Long Island, August 27, 1776]
Georges Louis Le Rouge (d. 1790)
1776 · Hand-colored engraving and etching; first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Newyorks Hamn och Redd, Från Brooklyn på Longisland (New York Harbor and Docks, from Brooklyn, Long Island)
Carl Fredrik Akrell (d. 1868)
1824 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Brooklyn, Long Island, as seen from Trinity Church, New York
John William Hill (d. 1879)
1853 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
City of Brooklyn, Long Island, Taken from Rush Street
John Bornet (d. 1855)
1855 · Hand-colored lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fourth Avenue, Brooklyn, Long Island
John Mackie Falconer (d. 1903)
1880 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
From the Shore, Brooklyn, Long Island
John Mackie Falconer (d. 1903)
1882–83 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Retreat from Long Island
Levon West (d. 1968)
1932 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shore Road
Arthur Dove (d. 1946)
1942 · Wax emulsion on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Comb
Ulawa Island artist
late 19th–early 20th century · Wood, shell, paint, fiber
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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