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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1081 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    325 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 66 matching records exist across the two collections.

Results for "Frontispice to Theatre Italien"12 records

Institutions answered newest-first by record, interleaved

Actors at the Hotel de Bourgogne by Abraham Bosse, The Metropolitan Museum of Art

Actors at the Hotel de Bourgogne

Abraham Bosse (d. 1676)

ca. 1633–34 · Etching

Cleared · Public Domain

live
The MetSimilar
Frontispice to Theatre Italien by Claude Gillot, The Metropolitan Museum of Art

Frontispice to Theatre Italien

Claude Gillot (d. 1722)

n.d. · Etching; second state

Cleared · Public Domain

live
The MetSimilar
Paper Theater or Diorama of an Italianate Villa and Garden by Martin Engelbrecht, The Metropolitan Museum of Art

Paper Theater or Diorama of an Italianate Villa and Garden

Martin Engelbrecht (d. 1756)

ca. 1730–56 · Etching and watercolor

Cleared · Public Domain

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The MetSimilar
Harlequina by Nymphenburg Porcelain Manufactory, The Metropolitan Museum of Art

Harlequina

Nymphenburg Porcelain Manufactory (d. 9999)

ca. 1760 · Hard-paste porcelain

Cleared · Public Domain

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The MetSimilar
Lucinda by Nymphenburg Porcelain Manufactory, The Metropolitan Museum of Art

Lucinda

Nymphenburg Porcelain Manufactory (d. 9999)

ca. 1760 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
The Prospect Before Us, Humanely Inscrib'd to all those Professors of Music and Dancing Whom the Cap May Fit by Thomas Rowlandson, The Metropolitan Museum of Art

The Prospect Before Us, Humanely Inscrib'd to all those Professors of Music and Dancing Whom the Cap May Fit

Thomas Rowlandson (d. 1827)

January 13, 1791 · Etching

Cleared · Public Domain

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The MetSimilar
Théâtre Italien (Gioacchino Rossini, 1792–1868) by Eugène Delacroix, The Metropolitan Museum of Art

Théâtre Italien (Gioacchino Rossini, 1792–1868)

Eugène Delacroix (d. 1863)

1821 · Graphite with brush and brown wash; red chalk applied to verso for image transfer

Cleared · Public Domain

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The MetSimilar
Fan by Fernando Coustellier y Vital, The Metropolitan Museum of Art

Fan

Fernando Coustellier y Vital

Between 1816 and 1830 · Hand-colored etching on paper; painted parchment (verso); ivory, silver

Cleared · Public Domain

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The MetSimilar
Gioacchino Rossini by Nadar, The Metropolitan Museum of Art

Gioacchino Rossini

Nadar (d. 1910)

March 1856 · Salted paper print from glass negative

Cleared · Public Domain

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The MetSimilar
Signora Gomez d'Arza by Thomas Eakins, The Metropolitan Museum of Art

Signora Gomez d'Arza

Thomas Eakins (d. 1916)

1901–2 · Oil on canvas

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Elevation, Hershey Community Theatre, Hershey, Pennsylvania

Louis C. Tiffany (d. 1933)

ca. 1915 · Transparent and opaque watercolor, ink, metallic paint, and graphite on paper mounted on paperboard with window mat

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Proscenium for Hershey Community Theatre, Hershey, Pennsylvania

Louis C. Tiffany (d. 1933)

ca. 1915 · Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard with window mat

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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