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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    224 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    335 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,081 matching records exist across the two collections.

Results for "Gilded-wood bench"12 records

Institutions answered newest-first by record, interleaved

Bench by an unrecorded maker, The Metropolitan Museum of Art

Bench

Unrecorded maker

15th century · Walnut and oak

Cleared · Public Domain

live
The MetSimilar
Bench by Louis Majorelle, The Cleveland Museum of Art

Bench

Louis Majorelle (d. 1926)

c. 1900 · Furniture and woodwork, gilt wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bench by an unrecorded maker, The Metropolitan Museum of Art

Bench

Unrecorded maker

16th century · Walnut

Cleared · Public Domain

live
The MetSimilar
Bench by an unrecorded maker, The Metropolitan Museum of Art

Bench

Unrecorded maker

16th century · Walnut

Cleared · Public Domain

live
The MetSimilar
Bench by an unrecorded maker, The Metropolitan Museum of Art

Bench

Unrecorded maker

ca. 1700 · Spruce, white oak

Cleared · Public Domain

live
The MetSimilar
Bench by an unrecorded maker, The Metropolitan Museum of Art

Bench

Unrecorded maker

1740–80 · Yellow pine

Cleared · Public Domain

live
The MetSimilar
Gilded-wood bench by Thomas Hope, The Metropolitan Museum of Art

Gilded-wood bench

Thomas Hope (d. 1831)

before 1807 · Gilded mahogany, modern wool cover and silk trims

Cleared · Public Domain

live
The MetSimilar
Window Bench by an unrecorded maker, The Metropolitan Museum of Art

Window Bench

Unrecorded maker

1815–20 · Rosewood, mahogany

Cleared · Public Domain

live
The MetSimilar
Bench by United Society of Believers in Christ’s Second Appearing (“Shakers”), The Metropolitan Museum of Art

Bench

United Society of Believers in Christ’s Second Appearing (“Shakers”) (d. 9999)

1825–50 · Pine

Cleared · Public Domain

live
The MetSimilar
Bench by United Society of Believers in Christ’s Second Appearing (“Shakers”), The Metropolitan Museum of Art

Bench

United Society of Believers in Christ’s Second Appearing (“Shakers”) (d. 9999)

ca. 1850 · Pine

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bench

Louis C. Tiffany (d. 1933)

1916 · Mahogany, upholstery

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bench

Jules Bouy (d. 1937)

ca. 1930 · Wood,linen

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.