
Relief of goats
Unrecorded maker
330 · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
630 ms. The Metropolitan Museum of Art, Collection API (Open Access)
724 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,654 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Relief of goats
Unrecorded maker
330 · Bronze
Cleared · Public Domain
live
Fragment of a Goat's Head
Unrecorded maker
c. 500–475 BCE · Sculpture, limestone
Cleared · CC0
live
Four Goats (Left Section of The Goats)
Claude Lorrain (Claude Gellée) (d. 1682)
ca. 1630–33 · Etching; second state of four (Mannocci)
Cleared · Public Domain
live
Nanny Goat
Unrecorded maker
late 200s BCE · Sculpture, bronze
Cleared · CC0
live
Four Goats (Left Section of The Goats)
Claude Lorrain (Claude Gellée) (d. 1682)
ca. 1630–33 · Etching; second state of four (Mannocci)
Cleared · Public Domain
live
View of Florence
Thomas Cole (d. 1848)
1837 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Goats
John Austin Sands Monks (d. 1917)
1885 · Etching
In copyright
live
Lormes: Goat-Girl Sitting Beside a Stream in a Forest
Jean Baptiste Camille Corot (d. 1875)
1842 · Painting, oil on fabric
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Goats Fighting
Anna Hyatt Huntington (d. 1973)
1905, cast before 1912 · Bronze
In copyright
live
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (d. 1651)
c. 1610–15 · Drawing, pen and brown ink, brush and brown wash over black chalk, heightened with white gouache; framing lines in brown ink
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Goats
Arthur Dove (d. 1946)
1922 · Charcoal on paper
In copyright
live
Bacchanal
Pietro da Cortona (d. 1669)
mid-1600s · Drawing, pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalk
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.