
Recueil Des Plans, Élévations et Coupes Tant Géométrales qu'en Perspective Des Châteaux, Jardins, et Dépendances, Que Le Roy De Pologne Occupe en Lorraine...
Emmanuel Héré de Corny (d. 1763)
1753 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
546 ms. The Metropolitan Museum of Art, Collection API (Open Access)
427 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8,890 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Recueil Des Plans, Élévations et Coupes Tant Géométrales qu'en Perspective Des Châteaux, Jardins, et Dépendances, Que Le Roy De Pologne Occupe en Lorraine...
Emmanuel Héré de Corny (d. 1763)
1753 · Engraving
Cleared · Public Domain
live
Jonah Swallowed
Unrecorded maker
280–90 CE · Sculpture, marble
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Here, This Is Stieglitz Here
Francis Picabia (d. 1953)
1915 · Ink, graphite, and pasted and printed papers on paper
In copyright
live
Gentlemen.... here goes a 43rd toast.... to the Temperance Society
Honoré Daumier (d. 1879)
1844 · Print, lithograph
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Here
Gilbert & George (d. 9999)
1987 · Hand-dyed photographs on thirty-five sheets of paper, in thirty-five artist frames
In copyright
live
Panel from a Casket with Scenes from Courtly Romances
Unrecorded maker
c. 1330–50 or later · Ivory, ivory
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Here & There
Dominican York Proyecto Grafica
2012 · Portfolio of 24 prints
In copyright
live
Saint Sebastian
Perugino (d. 1523)
c. 1493 · Drawing, metalpoint
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Here & There
Dominican York Proyecto Grafica
2012
In copyright
live
Single Miniature Excised from Boccaccio's Des Cleres et nobles femmes: Queen Medusa and Her Court
Maître François
c. 1470 · Manuscript, tempera and gold on vellum
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Here & There
Dominican York Proyecto Grafica
2012
In copyright
live
The Crucifixion of Saint Andrew
Caravaggio (d. 1610)
1606–7 · Painting, oil on canvas
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.