
Limestone warrior
Unrecorded maker
mid- to 3rd quarter of the 6th century BCE · Limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1224 ms. The Metropolitan Museum of Art, Collection API (Open Access)
410 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 133 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Limestone warrior
Unrecorded maker
mid- to 3rd quarter of the 6th century BCE · Limestone
Cleared · Public Domain
live
Courtyard with Painters
Unrecorded maker
late 1860s · Photograph, albumen print from wet collodion negative
Cleared · CC0
live
Dutch Night-Mare or the Fraternal Hug Returned with a Dutch Squeeze
Thomas Rowlandson (d. 1827)
November 30, 1813 · Hand-colored etching
Cleared · Public Domain
live
Hug-mug-gin
Thomas Rowlandson (d. 1827)
1815 · Etching
Cleared · Public Domain
live
French Luxury, or Repos a la Francaise
Thomas Rowlandson (d. 1827)
1800–20 · Hand-colored etching
Cleared · Public Domain
live
Ensemble
Unrecorded maker
ca. 1820 · wool, cotton, silk, linen
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hug me Closer, George!
Currier & Ives (d. 1907)
1886 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Theatrical costume for "Ziegfeld Follies of 1936": gown for Harriet Hocter in 'Words Without Music'
Vincente Minnelli (d. 1986)
1936 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman's theatrical costume: blue gown with white collar
Vincente Minnelli (d. 1986)
1933–39 · Gouache and watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Women's theatrical costumes with head wraps
Vincente Minnelli (d. 1986)
1933–39 · Watercolor over graphite (recto); graphite (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hug
Ay-O (d. 9999)
1967 · Acrylic on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Hug, NYC
Nan Goldin (d. 9999)
1980 · Silver dye bleach print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.