
Ibis Eating a Lizard
Unrecorded maker
100 BCE–100 CE · Sculpture, bronze, hollow cast
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
321 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 7 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Ibis Eating a Lizard
Unrecorded maker
100 BCE–100 CE · Sculpture, bronze, hollow cast
Cleared · CC0
live
Ibis
Unrecorded maker
664–30 BCE OR 664–330 BCE · Sculpture, bronze, solid cast, with gold-rich inlays
Cleared · CC0
live
Baboon on a Limestone Base
Unrecorded maker
380–30 BCE · Sculpture, pale turquoise faience
Cleared · CC0
live
Idiophone/Staff (ahianmwẹn-ọrọ)
Unrecorded maker
possibly 1800s · Sculpture, Copper alloy
Cleared · CC0
live
Apis Bull
Unrecorded maker
400–100 BCE · Sculpture, serpentinite
Cleared · CC0
live
Fragmentary Band, Probably Part of a Clavus
Unrecorded maker
800s · Textile, tapestry; linen and wool
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.