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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    365 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Inferno"7 records

Institutions answered newest-first by record, interleaved

The Death of Count Ugolino della Gherardesca and His Sons (Inferno Canto XXXIII) by Pierino da Vinci, The Cleveland Museum of Art

The Death of Count Ugolino della Gherardesca and His Sons (Inferno Canto XXXIII)

Pierino da Vinci (d. 1553)

c. 1550 · Sculpture, Terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Inferno by an unrecorded maker, The Cleveland Museum of Art

Inferno

Unrecorded maker

1700s(?) · Print, etching (2 plates, one in center with main subject, the second frames the first, plus inscription plate)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Labors of Hercules: Hercules Dragging Cerberus from the Underworld by Hans Sebald Beham, The Cleveland Museum of Art

The Labors of Hercules: Hercules Dragging Cerberus from the Underworld

Hans Sebald Beham (d. 1550)

1545 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Inferno According to Dante, after the Fresco in the Campo Santo at Pisa by an unrecorded maker, The Cleveland Museum of Art

The Inferno According to Dante, after the Fresco in the Campo Santo at Pisa

Unrecorded maker

1400s · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Circle of the Traitors: Dante's Foot Strriking Bocca degli Abbate, from Dante's Inferno, Canto XXXII Illustration to Dante's The Divine Comedy by William Blake, The Cleveland Museum of Art

The Circle of the Traitors: Dante's Foot Strriking Bocca degli Abbate, from Dante's Inferno, Canto XXXII Illustration to Dante's The Divine Comedy

William Blake (d. 1827)

1827 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Adjoining Leaves from a Book of Hours: Penitential Psalms and King David in Prayer (2 of 3 Excised Leaves) by Noël Bellemare, The Cleveland Museum of Art

Adjoining Leaves from a Book of Hours: Penitential Psalms and King David in Prayer (2 of 3 Excised Leaves)

Noël Bellemare (d. 1546)

c. 1530–35 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Penitential Psalms by Noël Bellemare, The Cleveland Museum of Art

Leaf from a Book of Hours: Penitential Psalms

Noël Bellemare (d. 1546)

c. 1530–35 · Manuscript, ink, tempera and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.