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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    333 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    373 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 120 matching records exist across the two collections.

Results for "Inkstand"12 records

Institutions answered newest-first by record, interleaved

Inkstand by Daniel Garnier, The Metropolitan Museum of Art

Inkstand

Daniel Garnier (d. 1697)

1697–98 · Silver

Cleared · Public Domain

live
The MetSimilar
Inkstand by an unrecorded maker, The Cleveland Museum of Art

Inkstand

Unrecorded maker

1800s · Jewelry, Gold, silver, and enamel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Inkstand by John Coney, The Metropolitan Museum of Art

Inkstand

John Coney (d. 1722)

1710–20 · Silver

Cleared · Public Domain

live
The MetSimilar
Inkstand by an unrecorded maker, The Cleveland Museum of Art

Inkstand

Unrecorded maker

1800s · Miscellaneous, fused red and green glass (?) mounted with gold, pearl, jewels; interior lined with velvet

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Inkstand by an unrecorded maker, The Metropolitan Museum of Art

Inkstand

Unrecorded maker

ca. 1730 · Gilt bronze

Cleared · Public Domain

live
The MetSimilar
Inkstand by an unrecorded maker, The Cleveland Museum of Art

Inkstand

Unrecorded maker

c. 1745–1749 · Miscellaneous, ormolu and lacquer

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Inkstand by Francesco Ladatte, The Metropolitan Museum of Art

Inkstand

Francesco Ladatte (d. 1787)

ca. 1753 · Silver gilt

Cleared · Public Domain

live
The MetSimilar
Poppy Inkwell by Clara Wolcott Driscoll, The Cleveland Museum of Art

Poppy Inkwell

Clara Wolcott Driscoll (d. 1944)

c. 1898–1906 · Glass, favrile glass mosaic, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Inkstand by Philippe Claude Montigny, The Metropolitan Museum of Art

Inkstand

Philippe Claude Montigny (d. 1780)

ca. 1770 · Oak, veneered with ebony and mounted with gilt bronze

Cleared · Public Domain

live
The MetSimilar
Cover for a Box by Louis Comfort Tiffany, The Cleveland Museum of Art

Cover for a Box

Louis Comfort Tiffany (d. 1933)

1898–1901 · Glass, enamel on copper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Inkstand by an unrecorded maker, The Metropolitan Museum of Art

Inkstand

Unrecorded maker

late 18th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Artichoke Vase by Tiffany Studios, The Cleveland Museum of Art

Artichoke Vase

Tiffany Studios

c. 1905–10 · Ceramic, Glazed white clay

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.