
Intemperance, from Vice and Virtues
Heinrich Aldegrever (d. 1561)
1528 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
212 ms. The Metropolitan Museum of Art, Collection API (Open Access)
239 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Intemperance, from Vice and Virtues
Heinrich Aldegrever (d. 1561)
1528 · Engraving
Cleared · Public Domain
live
Intemperance.–The Animal: "Though you can guess what temperance should be, You know not what it is"–Shakespeare
T. W. Huffam (d. 1856)
1843 · Mezzotint and etching
Cleared · Public Domain
live
View of the Schuylkill County Almshouse Property
Charles C. Hofmann (d. 1882)
1876 · Oil on canvas
Cleared · Public Domain
live
Uncle Sam's Annual Celebration, Fire-Works of the Period, from "The Judge"
Thomas B. Worth (d. 1917)
1881–83 · Color lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ponte Loreto near Nettuno
Thomas Jones (d. 1803)
by 1787 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Progress of Intemperance: The Expectant Wife
Samuel William Reynolds, the younger (d. 1872)
ca. 1840 · Mixed method mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Progress of Intemperance: The Relapse
Samuel William Reynolds, the younger (d. 1872)
ca. 1840 · Mixed method mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Progress of Intemperance: The Robber
Samuel William Reynolds, the younger (d. 1872)
ca. 1840 · Mixed method mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Intemperance
William Chevalier (d. 1866)
1847–53 · Etching and engraving on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.