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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    212 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    239 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Intemperance"10 records

Institutions answered newest-first by record, interleaved

Intemperance, from Vice and Virtues by Heinrich Aldegrever, The Metropolitan Museum of Art

Intemperance, from Vice and Virtues

Heinrich Aldegrever (d. 1561)

1528 · Engraving

Cleared · Public Domain

live
The MetSimilar
Intemperance.–The Animal: "Though you can guess what temperance should be, You know not what it is"–Shakespeare by T. W. Huffam, The Metropolitan Museum of Art

Intemperance.–The Animal: "Though you can guess what temperance should be, You know not what it is"–Shakespeare

T. W. Huffam (d. 1856)

1843 · Mezzotint and etching

Cleared · Public Domain

live
The MetSimilar
View of the Schuylkill County Almshouse Property by Charles C. Hofmann, The Metropolitan Museum of Art

View of the Schuylkill County Almshouse Property

Charles C. Hofmann (d. 1882)

1876 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Uncle Sam's Annual Celebration, Fire-Works of the Period, from "The Judge" by Thomas B. Worth, The Metropolitan Museum of Art

Uncle Sam's Annual Celebration, Fire-Works of the Period, from "The Judge"

Thomas B. Worth (d. 1917)

1881–83 · Color lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ponte Loreto near Nettuno

Thomas Jones (d. 1803)

by 1787 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Progress of Intemperance: The Expectant Wife

Samuel William Reynolds, the younger (d. 1872)

ca. 1840 · Mixed method mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Progress of Intemperance: The Relapse

Samuel William Reynolds, the younger (d. 1872)

ca. 1840 · Mixed method mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Progress of Intemperance: The Robber

Samuel William Reynolds, the younger (d. 1872)

ca. 1840 · Mixed method mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Intemperance

William Chevalier (d. 1866)

1847–53 · Etching and engraving on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

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