
The Invitation
Anonymous, French, 18th century (d. 1800)
18th century · Pen and gray ink, brush and gray wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
348 ms. The Metropolitan Museum of Art, Collection API (Open Access)
316 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 537 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Invitation
Anonymous, French, 18th century (d. 1800)
18th century · Pen and gray ink, brush and gray wash
Cleared · Public Domain
live
A Brahmin gives Krishna the Message or Invitation for the Competition to Rukmini’s Svayamvara, from a Bhagavata Purana
Unrecorded maker
c. 1650–60 · Painting, Gum tempera and gold on paper
Cleared · CC0
live
Invitation to a House Warming Party
Jules-Ferdinand Jacquemart (d. 1880)
ca. 1870 · Etching
Cleared · Public Domain
live
The Lovers
Wenzel von Olmütz
c. 1490 · Print, engraving
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
At home invitation
Christopher Richard Wynne Nevinson (d. 1946)
date not published · Letter
In copyright
live
The Lovers
James Tissot (d. 1902)
1872 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Invitation
Ludovic Lepic (d. 1889)
1875 · Etching
In copyright
live
The Brahman’s predicament is conveyed by the wind to the fish who carries the news to the king of the Ocean, from a Tuti-nama (Tales of a Parrot): Eleventh Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Roullier Exhibition Invitation
Herman Webster (d. 1970)
1909 · Etching, printed in brown ink
In copyright
live
The creatures of the sea are asked by the king of the Ocean to take a message to the Brahman, from a Tuti-nama (Tales of a Parrot): Eleventh Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Invitation to Studio Party
John Sloan (d. 1951)
1921 · Etching
In copyright
live
Exhibition Invitation
Otto H. Bacher (d. 1909)
20th century · Print, lithograph
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.