
Grand Canal Celebration: View of the Fleet Preparing to Form in Line
Anthony Imbert (d. 1850)
1825 · Lithograph
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1281 ms. The Metropolitan Museum of Art, Collection API (Open Access)
254 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,059 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Grand Canal Celebration: View of the Fleet Preparing to Form in Line
Anthony Imbert (d. 1850)
1825 · Lithograph
Cleared · Public Domain
live
The Moray Minstrels (Design for Invitation card of Arthur James Lewis)
Frederick Walker (d. 1875)
1865 · Pen and brown ink, graphite, touches of white gouache (bodycolor)
Cleared · Public Domain
live
The Moray Minstrels (Invitation card of Arthur James Lewis)
William Harcourt Hooper (d. 1912)
1865 · Wood engraving on chine volant
Cleared · Public Domain
live
Invitation to a Benefit Dinner from Hubert von Herkomer to Thomas Agnew
Sir Hubert von Herkomer (d. 1914)
1877–78 · Lithograph with lettering in pen and ink
Cleared · Public Domain
live
Invitation with vignette from "The First Born" (with text)
Sir Hubert von Herkomer (d. 1914)
1887 · Etching
Cleared · Public Domain
live
Invitation with vignette from "The First Born" (without text)
Sir Hubert von Herkomer (d. 1914)
1887 · Etching; proof
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of an Invitation to the Bal Paré, held to Celebrate the Marriage of the Dauphin, Louis, to Infanta Maria Teresia of Spain
Anonymous, French, 18th century (d. 1800)
18th century · Pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Invitation to a Celebration of the Completion of the Erie Canal, November 4, 1825
Corporation of the City of New York
1825 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Invitation to a Futurist Happening (recto); Landscape (verso)
Mikhail Tarkhanov (d. 1962)
March 5, 1921 · Pen and ink (recto); red ink or watercolor (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Invitation
Stehli Silks Corporation
November 6, 1925 · Printed paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Weyhe Gallery Invitation
Alexander Calder (d. 1976)
1929 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Celebration of the Mass
Harry W. Watrous (d. 1940)
ca. 1930–35 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.