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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    417 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    306 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16,371 matching records exist across the two collections.

Results for "Kneeling Female Figure"12 records

Institutions answered newest-first by record, interleaved

Kneeling female figure by Lagunillas artist(s), The Metropolitan Museum of Art

Kneeling female figure

Lagunillas artist(s)

200 BCE–200 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Flywhisk by an unrecorded maker, The Cleveland Museum of Art

Flywhisk

Unrecorded maker

late 1800s-early 1900s · Sculpture, Wood and animal hair

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Kneeling Female Figure by an unrecorded maker, The Metropolitan Museum of Art

Kneeling Female Figure

Unrecorded maker

2nd century · Ceramic

Cleared · Public Domain

live
The MetSimilar
Headdress (chi wara) by an unrecorded maker, The Cleveland Museum of Art

Headdress (chi wara)

Unrecorded maker

early 1900s · Mask, Wood, metal, glass beads, seashells, string, and probably tar

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Kneeling Female Figure by an unrecorded maker, The Metropolitan Museum of Art

Kneeling Female Figure

Unrecorded maker

2nd century · Ceramic

Cleared · Public Domain

live
The MetSimilar
Virgin and Child with Saints and Donors by Giovanni Battista Cima da Conegliano, The Cleveland Museum of Art

Virgin and Child with Saints and Donors

Giovanni Battista Cima da Conegliano (d. 1518)

c. 1515 · Painting, oil on wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Kneeling Female Figure by an unrecorded maker, The Metropolitan Museum of Art

Kneeling Female Figure

Unrecorded maker

2nd century · Ceramic

Cleared · Public Domain

live
The MetSimilar
Panel from a Choir Stall by an unrecorded maker, The Cleveland Museum of Art

Panel from a Choir Stall

Unrecorded maker

c. 1330–1340 · Furniture and woodwork, walnut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Kneeling Female Figure by an unrecorded maker, The Metropolitan Museum of Art

Kneeling Female Figure

Unrecorded maker

2nd century · Ceramic

Cleared · Public Domain

live
The MetSimilar
Pair of Panels from a Choir Stall by an unrecorded maker, The Cleveland Museum of Art

Pair of Panels from a Choir Stall

Unrecorded maker

c. 1330–1340 · Furniture and woodwork, walnut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Kneeling Female  Figure by an unrecorded maker, The Metropolitan Museum of Art

Kneeling Female Figure

Unrecorded maker

2nd–4th century · Ceramic

Cleared · Public Domain

live
The MetSimilar
Kneeling female figure by Mexica artist(s), The Metropolitan Museum of Art

Kneeling female figure

Mexica artist(s)

1325–1521 CE · Stone, pigment

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.