Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    453 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    475 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,916 matching records exist across the two collections.

Results for "Lice comb (part of a set)"12 records

Institutions answered newest-first by record, interleaved

Comb by an unrecorded maker, The Metropolitan Museum of Art

Comb

Unrecorded maker

1530–1560s · Boxwood

Cleared · Public Domain

live
The MetSimilar
Comb by an unrecorded maker, The Metropolitan Museum of Art

Comb

Unrecorded maker

15th or 16th century · Elephant ivory, paint and gilding

Cleared · Public Domain

live
The MetSimilar
Comb case with two wig combs by Paul Bennett, The Metropolitan Museum of Art

Comb case with two wig combs

Paul Bennett (d. 1688)

1685 · Turtle shell, silver

Cleared · Public Domain

live
The MetSimilar
Comb (part of a set) by an unrecorded maker, The Metropolitan Museum of Art

Comb (part of a set)

Unrecorded maker

ca. 1830 · Gold, amethysts

Cleared · Public Domain

live
The MetSimilar
Comb (part of a set) by an unrecorded maker, The Metropolitan Museum of Art

Comb (part of a set)

Unrecorded maker

1848–49 · Tortoiseshell

Cleared · Public Domain

live
The MetSimilar
Lice comb (part of a set) by an unrecorded maker, The Metropolitan Museum of Art

Lice comb (part of a set)

Unrecorded maker

1848–49 · Tortoiseshell

Cleared · Public Domain

live
The MetSimilar
Comb by Kaniet Islands artist, The Metropolitan Museum of Art

Comb

Kaniet Islands artist

19th century · Wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Yisanunu (comb)

Yaka artist

ca. 1850–1930 · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Yisanunu (comb)

Yaka artist

ca. 1850–1930 · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Yisanunu (comb)

Yaka artist

ca. 1850–1930 · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Yisanunu (comb)

Yaka artist

ca. 1850–1930 · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Comb

Ulawa Island artist

late 19th–early 20th century · Wood, shell, paint, fiber

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.