Loincloth
Unrecorded maker
1425–1500 (radiocarbon date, 92.3% probability) · Garment, cotton; plain weave, brocaded and complex alternating gauze with 5 shots of plain weave between gauze shots
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
383 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 20 matching records exist across the two collections.
Results for "Loincloth"12 records
Institutions answered newest-first by record, interleaved
Peruvian Textiles: Mantle or Hanging, Loincloth, Turban, Padded Hat, Band with Tassels
Unrecorded maker
1405–1640 · Textile, cotton; plain weave, brocaded and complex alternating gauze with 3 or 5 shots of plain weave between gauze shots
Cleared · CC0
liveCleveland Museum of ArtSimilar
Shell with Seated Noble
Unrecorded maker
600–900 · Sculpture, conch shell
Cleared · CC0
liveCleveland Museum of ArtSimilar
Commemorative figure (lefem)
Ateu Atsa (d. 1910)
mid-1800s–1910 · Sculpture, wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
The "Spitzer Cross"
Master of the Royal Plantagenet Workshop
c. 1190 · Enamel, copper: gilded, engraved, stippled; champlevé enamel; wood backing (modern)
Cleared · CC0
liveCleveland Museum of ArtSimilar
Male Effigy Vessel
Unrecorded maker
100–650 CE (thermoluminescence date, 410–1010 CE) · Ceramic, ceramic and slip
Cleared · CC0
liveCleveland Museum of ArtSimilar
Sketch of the Dead Christ, and Detail Sketch of Loincloth
Jules Eugène Lenepveu (d. 1898)
1800s · Drawing, graphite
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Missal: The Crucifixion (recto) and Text (verso)
Unrecorded maker
c. 1330–40 · Manuscript, ink, tempera, and gold leaf on parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Saint Sebastian
Unrecorded maker
c. 1600–1620 · Sculpture, painted and gilded wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Draupadi Rescued from Abduction, from a Mahabharata
Unrecorded maker
c. 1615 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Missal: Text (verso)
Unrecorded maker
c. 1330–40 · Manuscript, ink, tempera, and gold leaf on parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Loincloth with Feather(?) Motifs
Unrecorded maker
1000–1532 · Textile, plain weave, tapestry weave; cotton, camelid fiber
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.