
Woven sheet
Lucy Byington (d. 9999)
ca. 1810–20 · Linen, woven
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
342 ms. The Metropolitan Museum of Art, Collection API (Open Access)
394 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 404 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Woven sheet
Lucy Byington (d. 9999)
ca. 1810–20 · Linen, woven
Cleared · Public Domain
live
Lucy
Max Bohm (d. 1923)
1909 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Basket bowl
Lucy Telles (d. 1955)
ca. 1912 · Sedge root, redbud shoots and dyed bracken root
In copyright
live
Portrait of Lucy Russell, Countess of Bedford, née Harrington
Isaac Oliver (d. 1617)
1612 · Portrait Miniature, watercolor on vellum with gold and silver in original stained ivory case
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[El Track from Above, with Shoe Store]
Lucy Ashjian (d. 1993)
1935–43 · Gelatin silver print
In copyright
live
The Martyrdom of Saint Lucy
Jacques Bellange (d. 1616)
c. 1613–16 · Print, etching
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[El Tracks and Train at Station]
Lucy Ashjian (d. 1993)
1935–43 · Gelatin silver print
In copyright
live
Portrait of Lucy Russell, Countess of Bedford, née Harrington
Isaac Oliver (d. 1617)
c. 1608–1616 · Portrait Miniature, watercolor on vellum with gold and silver in a 17th-century silver gilt frame
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Savoy Dancers with Crowd]
Lucy Ashjian (d. 1993)
1935–43 · Gelatin silver print
In copyright
live
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 298v, St. Lucy
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Savoy Dancers]
Lucy Ashjian (d. 1993)
1935–43 · Gelatin silver print
In copyright
live
Saints Presenting a Devout Woman to the Virgin and Child
Giovanni Battista Pittoni (d. 1767)
1720s · Painting, oil on canvas
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.