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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    402 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    277 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 142 matching records exist across the two collections.

Results for "Maat"12 records

Institutions answered newest-first by record, interleaved

Maat amulet by an unrecorded maker, The Metropolitan Museum of Art

Maat amulet

Unrecorded maker

664–380 BCE · Gold sheet

Cleared · Public Domain

live
The MetSimilar
Stele of the High Priest of Ptah, Shedsunefertem by an unrecorded maker, The Cleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem

Unrecorded maker

945–924 BCE · Sculpture, limestone, originally painted and gilded

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Maat Amulet by an unrecorded maker, The Metropolitan Museum of Art

Maat Amulet

Unrecorded maker

664–332 BCE · Lapis lazuli

Cleared · Public Domain

live
The MetSimilar
Hedgehog by an unrecorded maker, The Cleveland Museum of Art

Hedgehog

Unrecorded maker

c. 1391–1353 BCE · Scarabs, steatite, originally glazed

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Maat by an unrecorded maker, The Metropolitan Museum of Art

Maat

Unrecorded maker

ca. 1080–332 BCE · Copper alloy with traces of gilding

Cleared · Public Domain

live
The MetSimilar
Ibis with maat feather by an unrecorded maker, The Metropolitan Museum of Art

Ibis with maat feather

Unrecorded maker

664–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Maat by an unrecorded maker, The Metropolitan Museum of Art

Maat

Unrecorded maker

664–30 BCE · Bright blue faience

Cleared · Public Domain

live
The MetSimilar
Maat? by an unrecorded maker, The Metropolitan Museum of Art

Maat?

Unrecorded maker

664–30 BCE · Cupreous metal

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Maat Feathers" Amulet

Unrecorded maker

664–332 BCE · Blackened limestone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Maat Feathers" Amulet

Unrecorded maker

664–332 BCE · Serpentinite (?)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maat Amulet

Unrecorded maker

664–332 BCE · Lapis lazuli

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maat Amulet

Unrecorded maker

664–30 BCE · Blue paste

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.