Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    277 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    310 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 415 matching records exist across the two collections.

Results for "Marseille"12 records

Institutions answered newest-first by record, interleaved

First View of Marseille by Joseph Vernet, The Metropolitan Museum of Art

First View of Marseille

Joseph Vernet (d. 1789)

1776 · Engraving; second state of three

Cleared · Public Domain

live
The MetSimilar
Landscape at Saint-André, Near Marseilles by Paul Guigou, The Cleveland Museum of Art

Landscape at Saint-André, Near Marseilles

Paul Guigou (d. 1871)

c. 1865 · Painting, oil on wood panel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Second View of Marseille by Joseph Vernet, The Metropolitan Museum of Art

Second View of Marseille

Joseph Vernet (d. 1789)

ca. 1776 · Engraving

Cleared · Public Domain

live
The MetSimilar
Renovation of the Old City of Marseille, Rue Caves de l'Oratoire by Adolphe Terris, The Cleveland Museum of Art

Renovation of the Old City of Marseille, Rue Caves de l'Oratoire

Adolphe Terris (d. 1900)

1862 · Photograph, albumen print from wet collodion negative

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Marseille by Edouard Baldus, The Metropolitan Museum of Art

Marseille

Edouard Baldus (d. 1889)

late 1850s (?) · Albumen silver print from paper negative

Cleared · Public Domain

live
The MetSimilar
Wall Hanging (msimsim) by an unrecorded maker, The Cleveland Museum of Art

Wall Hanging (msimsim)

Unrecorded maker

1800s · Textile, Silk, dye

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Marseille by Edouard Baldus, The Metropolitan Museum of Art

Marseille

Edouard Baldus (d. 1889)

late 1850s (?) · Albumen silver print from paper negative

Cleared · Public Domain

live
The MetSimilar
Dolmen, Cap del Puetch, Ariège, France by Arthur A. Taylor, The Cleveland Museum of Art

Dolmen, Cap del Puetch, Ariège, France

Arthur A. Taylor (d. 1873)

c. 1865–69 · Photograph, G. Arosa et Cie process print from waxed paper negative

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Marseille by Edouard Baldus, The Metropolitan Museum of Art

Marseille

Edouard Baldus (d. 1889)

ca. 1860 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
L'Estaque by André Paul Borel, The Cleveland Museum of Art

L'Estaque

André Paul Borel (d. 1912)

1878 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Marseille by Edouard Baldus, The Metropolitan Museum of Art

Marseille

Edouard Baldus (d. 1889)

ca. 1861 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Ecstasy of Mary Magdalene by Albrecht Dürer, The Cleveland Museum of Art

The Ecstasy of Mary Magdalene

Albrecht Dürer (d. 1528)

1501–4 · Print, woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.