
Title plate from "The Masquerades"
Jacques de Gheyn II (d. 1629)
1595–96 · Engraving; first state of three
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
387 ms. The Metropolitan Museum of Art, Collection API (Open Access)
422 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 257 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Title plate from "The Masquerades"
Jacques de Gheyn II (d. 1629)
1595–96 · Engraving; first state of three
Cleared · Public Domain
live
Mask (Kple Kple or Kouassi Gbe)
Unrecorded maker
late 1800s-early 1900s · Mask, Wood, resin, and paint
Cleared · CC0
live
Masquerader (one of a pair)
Meissen Manufactory (d. 9999)
1745 · Hard paste-porcelain
Cleared · Public Domain
live
Face Mask (Tehe gla)
Unrecorded maker
early 1900s · Mask, Wood, boar tusks, pelt, cloth, human hair, probably aluminum, reeds, iron alloy, copper alloy, plant fiber, and paint
Cleared · CC0
live![Mascarade à la Grecque; Suite des Vases; and [Cheminées] by Ennemond Alexandre Petitot, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP104573.jpg)
Mascarade à la Grecque; Suite des Vases; and [Cheminées]
Ennemond Alexandre Petitot (d. 1801)
1771, 1764 · Etching
Cleared · Public Domain
live
Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks
William Austin (d. 1820)
May 1, 1773 · Hand-colored etching
Cleared · Public Domain
live
Landscape with Road and Monument
Jean Honoré Fragonard (d. 1806)
mid-18th century–early 19th century · Pencil and pale sepia wash
Cleared · Public Domain
live
Masqueraders
Raimundo de Madrazo y Garreta (d. 1920)
1875–78 · Oil on canvas
Cleared · Public Domain
live
Bini oru (water spirit) crest
Eastern or Kalabari Ijo artist
19th century · Wood, cartridge shells, rattan, iron, paint
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Masquerades
Jacques de Gheyn II (d. 1629)
1595–96 · Engraving; first state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poster Design for "The Masqueraders," The Empire Theatre Company New York
William Henry Bradley (d. 1962)
ca. 1898 · Pen and ink and watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bini oru (water spirit) crest
Ijo artist
Late 19th–early 20th century · Mangrove wood (emo), ferrous nails, paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.