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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    387 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    422 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 257 matching records exist across the two collections.

Results for "Masqueraders"12 records

Institutions answered newest-first by record, interleaved

Title plate from "The Masquerades" by Jacques de Gheyn II, The Metropolitan Museum of Art

Title plate from "The Masquerades"

Jacques de Gheyn II (d. 1629)

1595–96 · Engraving; first state of three

Cleared · Public Domain

live
The MetSimilar
Mask (Kple Kple or Kouassi Gbe) by an unrecorded maker, The Cleveland Museum of Art

Mask (Kple Kple or Kouassi Gbe)

Unrecorded maker

late 1800s-early 1900s · Mask, Wood, resin, and paint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Masquerader (one of a pair) by Meissen Manufactory, The Metropolitan Museum of Art

Masquerader (one of a pair)

Meissen Manufactory (d. 9999)

1745 · Hard paste-porcelain

Cleared · Public Domain

live
The MetSimilar
Face Mask (Tehe gla) by an unrecorded maker, The Cleveland Museum of Art

Face Mask (Tehe gla)

Unrecorded maker

early 1900s · Mask, Wood, boar tusks, pelt, cloth, human hair, probably aluminum, reeds, iron alloy, copper alloy, plant fiber, and paint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mascarade à la Grecque; Suite des Vases; and [Cheminées] by Ennemond Alexandre Petitot, The Metropolitan Museum of Art

Mascarade à la Grecque; Suite des Vases; and [Cheminées]

Ennemond Alexandre Petitot (d. 1801)

1771, 1764 · Etching

Cleared · Public Domain

live
The MetSimilar
Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks by William Austin, The Metropolitan Museum of Art

Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks

William Austin (d. 1820)

May 1, 1773 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Landscape with Road and Monument by Jean Honoré Fragonard, The Metropolitan Museum of Art

Landscape with Road and Monument

Jean Honoré Fragonard (d. 1806)

mid-18th century–early 19th century · Pencil and pale sepia wash

Cleared · Public Domain

live
The MetSimilar
Masqueraders by Raimundo de Madrazo y Garreta, The Metropolitan Museum of Art

Masqueraders

Raimundo de Madrazo y Garreta (d. 1920)

1875–78 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Bini oru (water spirit) crest by Eastern or Kalabari Ijo artist, The Metropolitan Museum of Art

Bini oru (water spirit) crest

Eastern or Kalabari Ijo artist

19th century · Wood, cartridge shells, rattan, iron, paint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Masquerades

Jacques de Gheyn II (d. 1629)

1595–96 · Engraving; first state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster Design for "The Masqueraders," The Empire Theatre Company New York

William Henry Bradley (d. 1962)

ca. 1898 · Pen and ink and watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bini oru (water spirit) crest

Ijo artist

Late 19th–early 20th century · Mangrove wood (emo), ferrous nails, paint

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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