
Knight, Death, and the Devil
Albrecht Dürer (d. 1528)
1513 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
572 ms. The Metropolitan Museum of Art, Collection API (Open Access)
337 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 173 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Knight, Death, and the Devil
Albrecht Dürer (d. 1528)
1513 · Engraving
Cleared · Public Domain
live
Evening, Melancholy I
Edvard Munch (d. 1944)
1896 · Print, Hand-colored woodcut
Cleared · CC0
live
The Holy Family
Albrecht Dürer (d. 1528)
1512–13 · Drypoint
Cleared · Public Domain
live
Melancholia
Sebald Beham (d. 1550)
1550 · Engraving
Cleared · Public Domain
live
Portrait of the Artist's Daughter Agata Dolci
Carlo Dolci (d. 1687)
1676–80 · Red and black chalk on pale gray paper
Cleared · Public Domain
live
Melancholia
Henri Simon Thomassin (d. 1687)
ca. 1729–40 · Red chalk
Cleared · Public Domain
live
The Shepherd
Welby Sherman (d. 1836)
1828 · Engraving on chine collé
Cleared · Public Domain
live
"She Never Told Her Love"
Henry Peach Robinson (d. 1901)
1857 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Melancholia
Sebald Beham (d. 1550)
1539 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Melancholia
Sebald Beham (d. 1550)
1539 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Allegorical Female Figure (Melancholia?), plate 17 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II (d. 1778)
1760 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Melancholia
Federico Castellon (d. 1971)
ca. 1949 · Etching and aquatint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.