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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    805 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    289 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 87 matching records exist across the two collections.

Results for "Monstrance"12 records

Institutions answered newest-first by record, interleaved

Monstrance by an unrecorded maker, The Metropolitan Museum of Art

Monstrance

Unrecorded maker

about 1450 · Gilded silver

Cleared · Public Domain

live
The MetSimilar
Monstrance with the "Paten of Saint Bernward" by Saint Oswald Reliquary Workshop, The Cleveland Museum of Art

Monstrance with the "Paten of Saint Bernward"

Saint Oswald Reliquary Workshop

c. 1180–1190 · Metalwork, silver, gilded silver, niello, rock crystal

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Monstrance by an unrecorded maker, The Metropolitan Museum of Art

Monstrance

Unrecorded maker

early 20th century (original dated late 15th century) · Gilded silver

Cleared · Public Domain

live
The MetSimilar
Monstrance with a Relic of Saint Sebastian by an unrecorded maker, The Cleveland Museum of Art

Monstrance with a Relic of Saint Sebastian

Unrecorded maker

1484 · Metalwork, gilded silver, rock crystal, bone, parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Reliquary, Monstrance by an unrecorded maker, The Metropolitan Museum of Art

Reliquary, Monstrance

Unrecorded maker

15th century · Gilded silver, gilded coper, and glass

Cleared · Public Domain

live
The MetSimilar
Design for a Monstrance by an unrecorded maker, The Cleveland Museum of Art

Design for a Monstrance

Unrecorded maker

1600s · Drawing, pen and brown ink (ruled in places) and brush and brown wash, with graphite, traces of brush and gray and pink wash, and stylus; framing lines in graphite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Monstrance by an unrecorded maker, The Metropolitan Museum of Art

Monstrance

Unrecorded maker

ca. 1500 · Silver, gilded silver, rock crystal, niello, and enamel

Cleared · Public Domain

live
The MetSimilar
Adoration of the Magi by Martin Schongauer, The Cleveland Museum of Art

Adoration of the Magi

Martin Schongauer (d. 1491)

1482 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
An Architectural Monstrance by Anonymous, French, 16th century, The Metropolitan Museum of Art

An Architectural Monstrance

Anonymous, French, 16th century (d. 1600)

ca. 1530–40 · Etching with gray wash

Cleared · Public Domain

live
The MetSimilar
Monstrance by an unrecorded maker, The Metropolitan Museum of Art

Monstrance

Unrecorded maker

third quarter 16th century · Gilt copper, silver, niello, and glass

Cleared · Public Domain

live
The MetSimilar
Monstrance by an unrecorded maker, The Metropolitan Museum of Art

Monstrance

Unrecorded maker

probably 16th century · Gilt copper

Cleared · Public Domain

live
The MetSimilar
Monstrance by Diego de Atienza, The Metropolitan Museum of Art

Monstrance

Diego de Atienza (d. 1710)

1646/9 · Silver gilt with enamel, cast, chased, and engraved

Cleared · Public Domain

live
The MetSimilar

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