Newcastle on Tyne
Roger Fenton (d. 1819)
1850s · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
1017 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
281 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 100 matching records exist across the two collections.
Results for "Newcastle"12 records
Institutions answered newest-first by record, interleaved
The Pond at the Entrance of the Woods
Jean Baptiste Camille Corot (d. 1875)
c. 1860–75 · Painting, oil on fabric
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Thomas Holles, Duke of Newcastle
James McArdell (d. 1765)
1752–64 · Mezzotint; third state of three
In copyright
liveThe MetSimilar
Newcastle in Emlyn
Francis Seymour Haden (d. 1910)
1833–1910 · Print, etching
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Newcastle-on-Tyne
W. Wetherall
1850s · Salted paper print
In copyright
liveThe MetSimilar
Coffee Pot
Unrecorded maker
1742–1743 · Silver, silver
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Newcastle in Emlyn (La Teivy, à Newcastle in Emlyn (Pays de Galles))
Sir Francis Seymour Haden (d. 1910)
1864 · Etching and drypoint, touched; first (final) state (Harrington); second state of two (Schneiderman)
In copyright
liveThe MetSimilar
Vanity Fair: Statesman, No. 128 "Newcastle-on-Tyne"
James Tissot (d. 1902)
1872 · Print, color lithograph
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Newcastle in Emlyn (La Teivy, à Newcastle in Emlyn (Pays de Galles))
Sir Francis Seymour Haden (d. 1910)
1864 · Etching with drypoint; first state of two (Harrington); second state of two (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Newcastle
Edward Alexander Wadsworth (d. 1949)
1913 · Woodcut on colored paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Three 35mm Film Frames: Possibly Newcastle, Delaware]
Walker Evans (d. 1975)
1934–35 · Film negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Two 35mm Film Frames: Houses, Possibly Newcastle, Delaware]
Walker Evans (d. 1975)
1934–35 · Film negative
In copyright
liveThe MetSimilar
1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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